Around 1970 the composer replaced the central movement with a completely new one.[5]
Reception
Response to the premiere was positive, with Leslie Heward heralding Hovhaness as a "young genius."[3] However, later reception of the work has not always been as favourable. Reviewing a recording of Exile by Gerard Schwarz and the Seattle Symphony Orchestra, Anthony Burton of BBC Music Magazine wrote, "Hovhaness’s astonishing productivity is achieved at the cost of self-criticism: the folk-like melodies can all too often seem four-square and predictable, the chromatic decoration banal doodling, the technically proficient fugues simply note-spinning." Burton added, "Not even the skilful and ardent advocacy of the Seattle Symphony, beautifully recorded, can persuade me that there is [...] much more than the picturesque about the early Exile Symphony."[6]
Grimshaw, Kristen (2005). Woodstra, Chris; Brennan, Gerald; Schrott, Allen (eds.). All Music Guide to Classical Music: The Definitive Guide to Classical Music. Backbeat Books. ISBN0879308656.