The Tribune Trust (editor) Indian Police Service (Director General of Police) Central Industrial Security Force (Inspector General).[1] Punjab Civil Medical Services (Doctor)
Notable work
Dharam Guru (1999), Krishna (2000), Medni (2002), Shairi (2004), and Masia di Rāt (2013)
Spouse
Arvinder Kaur (Wife)
Children
Manraj Singh (Son)
Swarajbir Singh (born 24 April 1958) is an Indian Punjabi playwright, poet, administrator, and editor. He received the Sahitya Akademi Award for his play Masia di Rāt (2016)[2]
He was the editor of the daily newspaper Punjabi Tribune from 31 August 2018 to 13 January 2024.[3] He is also a nominated member of Punjabi University's Senate.[4] He served as a Medical doctor in a rural government dispensary in Gurdaspur district during 1983–1984. He entered civil services in India Defence Accounts in 1984. He joined the Indian Police Service in 1986. He was allotted Assam-Meghalaya Cadre[5] and retired as Director General of Police Meghalaya, Shillong in July 2018.[6]
Early life
Swarajbir was born in the village of Verka, district of Amritsar, Punjab, India.[7] His native village is Dharmabad but he grew up in villages Nawan Pind Mallowali and Ghuman in Gurdaspur district. He studied medicine at the Government Medical College, Amritsar.
Writing career
Swarajbir is a prolific playwright.[8] His plays have been staged all over India and have won several awards. Swarajbir began writing poetry in the early 1980s.[2] His first collection of poems, Apni Apni Rāt (1985), was awarded the Prof. Mohan Singh Puraskar by Guru Nanak Dev University. He contributed writing to the Punjabi literary magazines Preet Lari, Aks and Wahga.
His work has been praised for its strong social and political commentary.[2] His plays often deal with themes of oppression, injustice, and the struggle for freedom. Critic Pankaj K Singh remarks, "Swarajbir's social commitment and humanistic vision make him repeatedly build an interrogative discourse, questioning the unjust ideologies and practices of the dominant classes and clans in myths, history or contemporary reality and raising the voice of the oppressed."[9] In the opinion of contemporary playwright Atamjit Singh, "Swarajbir is known for in-depth study of his material and dramatic action that is largely based either on history or mythology; he invariably addresses the contemporary society.”[10]
Swarajbir's plays based on history and contemporary issues have attracted the attention of historians as well. Historian Anshu Malhotra who has analysed Swarajbir's play 'Shiary (Poetry)' along with Shahryar's ‘Piro Preman’ and Vijender Das's ‘Sant Kaviyitri Ma Piro’ writes in the context of that play, “Swarajbir puts his heroine in the feminist mold, even while indicating that feminism may be a ruse to categorise women who don't fit into culturally sanctioned roles”[11] Historian Raj Kumar Hans has analysed his unpublished but staged play ‘Kachi Garhi’ in the historical context; according to Hans, “Swarajbir consciously searches for the counter currents which have been marginalized from established historiography.”[9] Historian Bhagwan Josh has evaluated his play Tasweeran in the historical situation of Punjabi women.[9] His poetry is known for its lyrical beauty and its exploration of the human condition.[12]
Swarajbir is a major figure in Punjabi literature. He is a recipient of numerous awards and honors,[8] and his work has been translated into several languages.
