Susan Botti

Susan Botti
Born (1962-04-13) April 13, 1962 (age 62)
Alma mater
OccupationComposer
Employer
AwardsGuggenheim Fellowship (2006)
Musical career
Genres
  • Classical music
  • opera

Susan Teresa Botti (born April 13, 1962) is an American soprano opera singer and composer of contemporary classical music. Originally working in theater, she studied classical music at the Berklee College of Music and Manhattan School of Music, and she began a career as a librettist, with her work including Wonderglass (1993) and Telaio: Desdemona (1995). She has also performed as an opera singer for composer Tan Dun.

Biography

Susan Teresa Botti[1] was born on April 13, 1962, in Wichita Falls, Texas.[2] Her father, Robert E. Botti,[1] was head of cardiology at University Hospitals Cleveland Medical Center.[3] She attended St. Ann School[4] and Beaumont School in Cleveland Heights, Ohio;[3] the Cleveland Institute of Music, where she studied classical piano and voice; and the Cleveland Play House, where she studied theater.[5]

After graduating from Wellesley College,[1] she moved to Manhattan, where she lived in "a cheap sublet in the East Village".[5] During her time in New York City, she participated in experimental theater and studied vocal jazz with Dee Kohanna, during which she was inspired to Berklee College of Music.[6] While in Boston, she studied jazz piano, percussion, and voice at Berklee, obtained her BM there in 1986, and was part of the Greek chorus in the American Repertory Theater production of Alcestis, directed by Robert Wilson.[5][2] In 1990, she obtained her Master of Music degree from the Manhattan School of Music (MSM),[2] where she recalled her teacher Ludmila Ulehla as "the one who first threw [Botti] on stage with [her] own work".[5]

After doing a piece inspired by the Lewis Carroll poem "Jabberwocky", she wrote Wonderglass, an opera inspired by Alice in Wonderland;[7] it premiered in 1993 at the Cranbrook American Artist Series, as did another opera, Telaio: Desdemona, in 1995.[8] According to Mark Stryker of the Detroit Free Press, Botti's music composition "draws on several idioms โ€“ classical, theatrical, world music โ€“ without resorting to pastiche or cliches and without mortgaging a razor-sharp wit", and while "her vocal writing is unpredictable, [...] the gestures, particularly when voiced by her own silvery soprano, have a striking lyric thrust".[8]

Botti has also collaborated with composer Tan Dun, particularly as a soprano performer.[5] The Huddersfield Daily Examiner said that her soprano performance at the 1996 BBC Radio 3 performance of Red Forecast (Orchestral Theatre III) in Huddersfield Town Hall was "equally impressive" compared to the BBC Scottish Symphony Orchestra. [9] In a review of the 1997 New York City Opera performance of the Tan Dun opera Marco Polo, Justin Davidson of Newsday said that she "sang the role of Water with a voice that ran clear and sweet".[10]

In 2001, she performed her own composition EchoTempo at Avery Fisher Hall; this was the first time a composition at a regular New York Philharmonic subscription concert featured its own composer as a vocalist.[5] She was the 2003-2005 Daniel R. Lewis Young Composer Fellow at the Cleveland Orchestra.[3] In 2005, she was awarded a Frederic A. Juilliard/Walter Damrosch Rome Prize in music composition.[11] In 2006,[12] she was awarded a Guggenheim Fellowship in music composition.[2] She was one of nine composers profiled in the 2011 book Women of Influence in Contemporary Music.[13]

In 2000, she joined the University of Michigan as Assistant Professor of Music Composition.[2] She left UMich in 2006 and moved to the composition faculty at MSM.[14] By 2021, her work at MSM was part-time.[15] She also works at Vassar College as an adjunct associate professor.[14]

She has also been involved in commercial work, particularly Kodak's 1988 "True Colors" Olympic jingle, which she took in order to pay for her graduate studies;[6] the soundtrack for the 2000 science fiction film Mission to Mars;[6] and a minor acting role in the crime drama Spenser For Hire.[4]

On August 20, 1988, she married Roland Vazquez, a fellow MSM alumnus and later a Latin jazz musician whom she is also a colloborator, at Amasa Stone Chapel in Cleveland, Ohio;[1][15] they have two children.[15] They lived in Italy after she became a Rome Fellow, before moving to Red Hook, New York in the 2010s.[15][3]

Operas

Further reading

  • Karantonis, Pamela (February 26, 2024). Cathy Berberian: Pioneer of Contemporary Vocality. Routledge (published September 30, 2020). ISBN 9780367669294.
  • Slayton, Michael K. (February 26, 2024). Women of Influence in Contemporary Music. Scarecrow Press (published December 2010). ISBN 978-0-8108-7742-9.

References

  1. ^ a b c d "Vazques-Botti". Ventura County Star. September 18, 1988. p. B-4 – via Newspapers.com.
  2. ^ a b c d e Reports of the President and the Treasurer. John Simon Guggenheim Memorial Foundation. 2006. p. 51.
  3. ^ a b c d Botti, Susan (June 1, 2010). "The Cleveland Orchestras 'Composers Connect': an interview with Susan Botti". ClevelandClassical.com (Interview). Interviewed by Mark Telin. Retrieved January 17, 2025.
  4. ^ a b "Susan Botti". St. Ann's Class of 1976. Retrieved January 17, 2025.
  5. ^ a b c d e f "Music; Downtown Divas Expand Their Horizons". New York Times. October 28, 2001 – via ProQuest.
  6. ^ a b c Small, Mark (January 1, 2010). "Not Your Grandfather's New Music". Berklee Today. Retrieved January 17, 2025.
  7. ^ a b Guinn, John (February 19, 1993). "'Wonderglass' explores Lewis Carroll's mind". Detroit Free Press. p. 6C – via Newspapers.com.
  8. ^ a b Stryker, Mark (March 30, 2003). "On the week ahead". Detroit Free Press. p. 8K – via Newspapers.com.
  9. ^ "What a stunning Forecast!". Huddersfield Daily Examiner. November 27, 1996. p. 11 – via Newspapers.com.
  10. ^ Davidson, Justin (November 10, 1997). "A Traveler to China Mixes Music Genres". Newsday. p. B9 – via Newspapers.com.
  11. ^ "Rome Prize Winners 2005-06" (PDF). Society of Fellows News. American Academy in Rome. p. 17.
  12. ^ "Susan Botti". John Simon Guggenheim Memorial Foundation. Retrieved January 17, 2025.
  13. ^ Grolman, Ellen K. (2012). "Review of Women of Influence in Contemporaiy Music: Nine American Composers". Notes. 68 (3): 563โ€“565. ISSN 0027-4380. JSTOR 41412172.
  14. ^ a b "Susan Botti". Manhattan School of Music. Retrieved January 17, 2025.
  15. ^ a b c d Dalton, Joseph (August 11, 2011). "Composer Susan Botti, a soprano, also performs her own work". Times Union.
  16. ^ Tommasini, Anthony (October 5, 1995). "MUSIC REVIEW; Gongs, Chimes, Wood Blocks and Washtubs". New York Times. p. C24 – via ProQuest.
  17. ^ Oestreich, James R. (December 20, 1994). "IN PERFORMANCE; CLASSICAL MUSIC". New York Times. p. C-22 – via ProQuest.
  18. ^ Ruhe, Pierre (March 26, 2001). "Classical contrasts go to extremes". The Atlanta Journal. p. C14 – via Newspapers.com.
  19. ^ Smith, Craig (March 26, 1999). "Musical drama plumbs depth of Desdemona". Santa Fe New Mexican. p. 30, 31 – via Newspapers.com.