Supertrain is an American science fiction adventure drama television series that ran on NBC from February 7 to May 5, 1979. Nine episodes were made, including a two-hour pilot episode.
The series takes place on the Supertrain, a nuclear-powered high speed train that is equipped with amenities more appropriate to a cruise ship. It has luxuries such as a swimming pool, shopping centers, a gym, a library, a medical center, and a discotheque.[1] It is so big it has to run on very broad gauge track. Though it had a rated top speed of 250 mph (400 km/h), and cruised at 190 mph (310 km/h), the train took 36 hours to go from New York City to Los Angeles, which would put the train's average speed at around 78 mph (126 km/h), slower than the moderately-paced Amtrak Acela Express and well below the speeds of bullet trains in Europe and Asia; however, the first few episodes establish that Supertrain does not go directly from New York to Los Angeles, stopping in Chicago and Denver as well as an unnamed stop somewhere in Texas.
Much like its contemporary The Love Boat, the plots concerned the passengers' social lives, usually with multiple intertwining storylines. Supertrain was described in a 1979 Variety review, "It's a 'Love Boat' on wheels which has yet to get on track."[2] Most of the cast of a given episode were guest stars. The production was elaborate, with huge sets and two high-tech model trains for outside shots.[1]
Supertrain was the most expensive series ever aired in the United States at the time. The production was beset by problems, including a model train that crashed. NBC paid $10 million for a total of three sets of trains: a full-size train with enormous passenger cars measuring 64 by 26 by 22 feet (19.5 m × 7.9 m × 6.7 m), and two model train sets at 1:9.6 and 1:48 scales for outside shots.[1] While the series was heavily advertised during the 1978-1979 season, it received poor reviews and low ratings. The 2-hour premiere was out-rated by a 2-hour special of ABC's Charlie's Angels, and received a 21.8 rating and 32 share, ranking it 17th for the week.[3] Despite attempts to salvage the show by replacing its producer, reworking the cast and the show's genre to a sitcom-like format, and a timeslot change from Wednesdays at 8:00 p.m. to Saturdays at 10:00 p.m., it went off the air after only three months.[citation needed] NBC, which had produced the show itself, with help from Dark Shadows producer Dan Curtis, was unable to recoup its losses from the high production costs.[citation needed] This, combined with the U.S. boycott of the 1980 Summer Olympics the following season (whose coverage NBC was to have carried, costing the network millions in ad revenue), nearly bankrupted the network.[4] For these reasons, Supertrain has been called one of the greatest television flops.[5] The show finished 69th out of 114 shows during the 1978-79 season, with an average 15.7 rating and 25 share.[6][7]
Before the show aired in the U.S., NBC sold it directly to the BBC, the first foreign broadcaster to pick up the series. "For two runs, BBC reportedly coughed up more than $25,000 per hour episode, which if not a record series price in this market is close to it."[8] The BBC was planning to air Supertrain in the fall of 1979, after the series premiered in the U.S. in February. By selling the show to international markets, NBC hoped to offset its own development costs. After the failure of the series in the United States, the BBC never aired the show.[citation needed]
In 2002, TV Guide ranked Supertrain number 28 on its "50 Worst TV Shows of All Time" list.[9]
In the May 19, 1979, edition of TV Guide, the show received criticism from Robert MacKenzie. He compared the futuristic train to his traditional ideas of a Pullman locomotive and describes the environment as "bigger, gaudier, and noisier, including the passengers."[10] He described the amenities of the train and the "marvel, cinematically," of the set design and train itself. Mackenzie found fault with the show's reliance on the extravagant train to wow the audience and the lack of character depth or entertaining plot. "When the early ratings proved disappointing, NBC took the series off the air for emergency surgery. The 'All New Supertrain' appeared April 14 looking remarkably like the old Supertrain", which shows NBC's attempts to fix the show's flaws mid-season.[10] He summarized his opinion on the newly changed episodes by stating, "This tale d-r-a-g-g-e-d even more than previous episodes despite the attempt to glamorize it with models in bikinis and Peter Lawford playing his usual shopworn sophisticate."[10] In his annual television special later that year, comedian Alan King commented on the show's ratings failure: "It's a bird! It's a bomb! It's Supertrain!"[citation needed]
Supertrain was critiqued by the Telefilm Review in the February 9, 1979, edition of Variety. The article begins, "NBC's highly-promoted new Supertrain series features a slick new train of tomorrow, with a script from yesterday...it seeks to overwhelm, but underwhelms instead."[2] By emphasizing the train as the main character, the character plots and stories of each episode seem like more of a second thought. Telefilm predicted the show's failure in its review: "Without better scripts, the train's trek may well end in 13 weeks. More emphasis on characters, less on the train, is in order."[2] The show lasted just over 12 weeks. The choices of the producer, Dan Curtis, were harshly criticized, saying he was "neglecting characterizations for the sake of camera angles, and his contribution is a sorrowful one."[2]
Mike Post (Steve Lawrence), a passenger with a large gambling debt, finds himself the target of an unknown assassin on the train. A woman travels with her abusive boyfriend, who is hiding a dangerous past. Social director David Noonan (Patrick Collins) tries to stay clear of the amorous granddaughter of Supertrain's chairman and creator.
Main Cast: Edward Andrews as Harry Flood, Patrick Collins as Dave Noonan, Harrison Page as George Boone, Robert Alda as Dr. Dan Lewis, Nita Talbot as Rose Casey, Aarika Wells as Gilda, Bill Nuckols as Wally (credited as William Nuckols), Michael DeLano as Lou Atkins (credited as Michael Delano), and Charlie Brill as Robert.
Guest Stars: Steve Lawrence as Mike Post, Char Fontane as Cindy Chappel, Don Stroud as Jack Fisk, Keenan Wynn as Winfield Root, Deborah Benson as Barbara Root, Ron Masak as Fred, Don Meredith as Rick Prince, Vicki Lawrence as Karen Prince (credited as Vickie Lawrence), George Hamilton as David Belnik, Stella Stevens as Lucy, and Fred Williamson as Al Roberts.
Other Guests: John Karlen as Quinn, Frank Christi as Tony Packoe (credited as Frank R. Christi), H.M. Wynant as Fairmont, Anthony Palmer as T. C. Baker, Howard Honig as Sam Howard, Allen Williams as Riley, Parley Baer as Heaton, Sid Conrad as Whittington, Robert Karnes as Martin, Cameron Young as Fenner, Sylvester Words as Porter, Orin Cannon as Stationmaster, Chuck Mitchell as Big Ed, and Bert Conway as Workman.
Note: The pilot episode was a two-hour special.
A man (Larry Linville) frantically tries to catch Supertrain, where a professed hitman (Dick Van Dyke) is targeting his soon-to-be late wife (Barbara Rhoades). Meanwhile, the spoiled great-grandchildren of Supertrain's chairman of the board make life miserable for the crew by playing practical jokes.
A young travel reporter falls for a mysterious young woman riding on Supertrain, but both are unaware that she is the heir to a throne and the target of a kidnapping plot.
The Supertrain stops in Denver at the end of the show.
Guest Stars: Paul Sand as Barney Sweet, Mary Louise Weller as Ali (Alexandra Peters, future Queen of Montenegro), Michael V. Gazzo as Menkton, Nehemiah Persoff as Max (Ali's uncle), Steve Franken as Fleck (credited as Steven Franken), Fred Sadoff as unknown, and Kenneth Mars as Turley.
The pilot was released on VHS, as Express to Terror in the US,[11] and Super-Train in the UK. It was also released in Norway.[12]
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