Suhayl Saadi (born 1961, Beverley, Yorkshire)[1][2] is a physician,[3] author and dramatist based in Glasgow, Scotland. His varied literary output[4] includes novels, short stories,[5][6] anthologies of fiction, song lyrics, plays for stage and radio theatre, and wisdom pieces for The Dawn Patrol, the Sarah Kennedy show on BBC Radio 2. Saadi was born in Beverley to Pakistani parents in 1961.
Psychoraag is not justMidnight's Children-meets-Trainspotting.Saadi is more thoughtful than Welsh or Rushdie.
Angus Calder, The Sunday Herald[7]
Saadi's 2004 novel,[8][9] Psychoraag, which won a PEN Oakland/Josephine Miles Literary Award, was also shortlisted[10] for the James Tait Black Memorial Prize and nominated for both the International Dublin Literary Award[11] and the National Literary Award (the Patras Bokhari Prize) in Pakistan.
The Scottish Book Trust designated Psychoraag one of the 100 Best Scottish Books of all time.[12] The French translation was released in November 2007 by the Paris-based publisher Éditions Métailié.[13]
Suhayl Saadi has written about subjects as diverse as psychedelic music, Sufism, the British pantomime, the future of creativity, and the relationship of literature to global politics, for many periodicals, including The Independent, The Times, The Herald, The Sunday Herald, The Scotsman, and Spike Magazine,[14] and for the British Council. His short story collection, The Burning Mirror,[15][16] was shortlisted for the Saltire Society First Book Prize in 2001.
Saadi has written stage and radio plays including The Dark Island, The White Cliffs and Saame Sita.[1][4] He has edited or co-edited a number of anthologies including Shorts: The Macallan Scotland on Sunday Short Story Collection; A Fictional Guide to Scotland; and Freedom Spring: Ten Years On, a compilation of new writing from South Africa and Scotland. He has appeared widely on television, radio and in public literary readings and is currently working on another novel.
Suhayl Saadi has also written song lyrics for classical and folk-rock musical ensembles, including the Edinburgh-based Dunedin Consort,[17] and for the Africa-centred World AIDS Day Project Paradisum.[1][18] His work has appeared in translation in anthologies, as in 2006 in German in Cool Britannia (Al Kennedy, ed. Berlin: Verlag Klaus Wagenbach).
Among more recent works, Saadi wrote the libretto for Queens of Govan, one of five short operas commissioned in 2007 by the Scottish Opera for its 2008 "Five:15" project.[19][20][21][22]
Saadi is a board member and co-director of the arts production company Heer Productions Limited, which established the Pakistani Film, Media and Arts Festival[23] in the United Kingdom in 2005.
During the month of October 2008, Saadi was the British Council Writer-in-Residence at George Washington University in Washington, D.C.[24]
A novel, Joseph's Box, inspired by the Biblical/Quranic account of Joseph and Potiphar's wife, was published by Two Ravens Press in August 2009 and was nominated for the IMPAC Dublin Literary Award 2011. The novel is set in Scotland, England, Sicily and Pakistan.
Saadi was also a contributor to Pax Edina: The One O' Clock Gun Anthology (Edinburgh, 2010)[26]
'Namaste ji, salaam alaikum, sat sri akal, welcome tae The Junoon Show. Ah'm Zaf, zed ayy eff – an yer listenin' tae Radio Chaandnii oan wavelength 99.9 meters ... ' When Suhayl Saadi's collection of short stories The Burning Mirror appeared three years ago, grateful readers noticed, among his very varied prose repertoire, a superb ear for Scottish speech. In his first novel, the ventriloquist goes his dinger. Zaf's idiolect mingles Weegie patter with phrases and curses from several sub-continental languages, French, Gaelic, and, of course, guid auld Scots.
I should say that I am very lucky to be based in Scotland – a country which has produced many wonderful writers of fiction ... This corpus of work represents some of the most exciting, commercially successful and ground-breaking writing of the past three decades in the Anglophone world. Coda: Scotland is not a literary backwater.
Chris Dolan rightly describes (The Burning Mirror) as "an impossible blend of Kelman, Toni Davidson and Rushdie. There is rhythm and blending of languages that is uniquely Scots-Asian." Saadi is a medical man whose story "Ninety-nine Kiss-o-grams" was shortlisted for the Macallan short story competition. Uniquely he provides a glossary of Pakistani and Glaswegian words for those who might find navigation difficult.
In "Ninety-nine Kiss-o-grams," the opening story, Sal is left a deed from his grandfather to a bit of land in Pakistan. He travels there to sell the worthless dirt plot and his running commentary in heavy Scottish dialect on his family's native land proves an extraordinary (and epiphanous) reading experience: "Nuthin wis certain here, Nuthin. Mibbee you were alive, mibbee you were dead. Mibbee there was a God, mibbee there were ten thousand. Everyone had a different version of everything, and nothin wis written doon." Trying to picture this man – looking as Pakistani as the natives around him, but speaking in such a strange tongue – is a disturbing, incongruous experience that jars the reader into a recognition of the cultural crossroad at which the narrator finds himself.
Queens of Govan: Nigel Osborne, Wajahat Khan and Suhayl Saadi's work for Five:15 features a young Asian girl who is running through the streets of Govan on a rainy Saturday night, late for her job at a kebab shop. As she runs, she is pursued by images and realities from her parallel lives such as the green valleys of Kashmir and the dark waters of the Clyde.
The creative teams include some big names in their own fields ... writers, authors and poets Ian Rankin, Bernard MacLaverty, Alexander McCall Smith, Ron Butlin and Suhayl Saadi, paired respectively with composers Craig Armstrong, Gareth Williams, Stephen Deazley, Lyell Cresswell and Nigel Osborne.
→ Note on web searches: Saadi will occasionally be found misspelled as Saadhi.
Reviews and interviews relating to the novel, Joseph's Box can be located at the following sites:
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