In 1886, John Prideaux Lightfoot had approached William Morris and Burne-Jones to create a tapestry as a gift for their alma materExeter College, Oxford, suggesting the Adoration of the Magi as a subject.[1] The two quickly agreed. Burne-Jones completed a 26 × 38 inch modello or design in watercolour and bodycolour heightened with gold in 1887. Morris and his assistant John Henry Dearle based the cartoons for the tapestry weavers on Burne-Jones's watercolour, changing the colour scheme and adding background details including the flowering plants characteristic of Dearle's tapestry work. The Adoration of the Magi tapestry was woven by Morris & Co. at Merton Abbey over the next two years and displayed in their London showrooms at Easter 1890 before being presented to Exeter College.[1][4]
The Birmingham commission gave Burne-Jones an opportunity to revisit his tapestry design as a full-scale painting. The colour palette with its rich blue-greens differs greatly from both the original watercolour modello and the Morris tapestry, and its large size allowed him to add a wealth of fine detail not possible in the tapestry version, especially in the clothing. Burne-Jones worked on a ladder, and wrote "a tiring thing it is physically to do, up my steps and down..."[1] A photograph by Barbara Leighton Sotheby, preserved as a platinum print by Frederick Hollyer, shows Burne-Jones on his ladder in front of the work-in-progress. The Star of Bethlehem was completed in 1890 and exhibited at the New Gallery, London, in the spring of 1891 before being sent on to the Birmingham Museum & Art Gallery, where it remains.[1]
Burne-Jones used a different pose of the angel holding the star, this time in a warm colour palette, to illustrate the wildflower called Star of Bethlehem (Ornithogalum umbellatum) in The Flower Book, a collection of watercolours on themes inspired by the names of flowers that he completed between 1882 and 1898.