Star People is a 1983 album recorded by Miles Davis and issued by Columbia Records. It is the second studio recording released after the trumpeter's six-year hiatus, the first to feature electric guitarist John Scofield, who was recommended by saxophonist Bill Evans, and the last to be produced by long-standing collaborator Teo Macero.
Bassist Marcus Miller, who would go on to produce future Davis sessions, plays on five of the tracks. Electric guitarist Mike Stern features on most of the pieces, and drummer Al Foster and percussionist Mino Cinelu round out the rhythm section. Davis played trumpet and Oberheim synthesizer simultaneously (without using overdubs), and also on separately recorded interludes for the over-18-minute-long blues "Star People".[1] The album was re-released as a part of the boxed set Miles Davis: The Complete Columbia Album Collection in 2009, and was further remastered and reissued in 2022.
In a contemporaneous review, music writer Greg Tate wrote:
Now, what I've come to love about Star People is that it doesn't sound like Miles wants this band to become capable of anything but playing a simple blues. And while seeing Miles in concert recently made me think he was trying to reconstruct his mystique out of thin air, Star People reveals him capable of delightful self-parody. Like Picasso when he ran out of ideas, Miles has taken to enjoying poking a little fun at himself. So that on Star People we hear the innovator of modern music make a big to-do out of playing muted blues cliches over funk vamps that were old in 1970, hear him riotously romp through a cornball Tin Pan Alley variation like he was born yesterday, find him spurting soul band trumpet squeals in and out of a number whose head and rhythm arrangement come across like a cross between Basie, Bird, and James Brown. Moreover, we find Miles enjoying working with musicians not on the cutting edge, but on the backburner of bebop conservatism. [...] On the other hand, I'm not going to say the record doesn't swing when it wants to, and all in all it just may be the most accessible LP Miles has ever made. [...] Furthermore, when you stop and consider the source of this oldhat comedy routine, it kinda leaves you in stitches. (When genius mocks itself, what other response is there?)[7]
