Universally recognised as Bellini's earliest surviving work, created when he was about 16,[2][3] the painting depicts Saint Jerome seated semi-naked on a rock in front of his cave in the Syrian Desert. He holds a book in his left hand, referencing his life as a hermit and his role in producing the Vulgate Bible. His faithful lion is depicted in front of him, with the saint appearing to bless the animal. The lion retains the famous thorn on his paw, which according to the legend was removed by Jerome.[4][5]
^Humfrey, P. (2008). The Cambridge Companion to Giovanni Bellini. Cambridge Companions to the History of Art. Cambridge University Press. p. 168. ISBN978-0-521-72855-3. Retrieved 15 April 2019. In the case of Bellini, it is almost inevitable that his landscapes should be suffused with the figures and concepts of Christian devotion. In the Birmingham picture, Jerome and the lion are the protagonists of the story ...