D 921, for alto solo, SSAA chorus & piano, Op. 135(p)[2]
The latest update of Deutsch's catalogue places both versions under D 920, and D 921 is no longer used.
History
The poem which Schubert set was specially commissioned from Franz Grillparzer by Anna Fröhlich, a singing teacher in Vienna, to celebrate the birthday (or name-day) of her pupil Louise Gosmar. Fröhlich showed Grillparzer's poem to Schubert and asked him to set it to music, who obliged within a few days with the version for mezzo-soprano and men's voices (D. 920 in Otto Deutsch's chronological catalogue).
However, Fröhlich was unhappy because she wanted a setting for Gosmar to sing with her female friends. So Schubert swiftly produced a re-scored version with SSAA chorus, D. 921. The composer failed to turn up at the public performance and had to be fetched from a nearby beer-house.[3][4]
Schubert only set two other poems by Grillparzer: "Bertas Lied in der Nacht", D 653, and "Mirjams Siegesgesang", D 942.
Manuscripts and publication
The version with women's choir was published in 1839 or 1840 by Anton Diabelli, as "Ständchen", Op. [posth.] 135.[5] The title may be Diabelli's own: the extant autograph of D 920 (men's choir version, July 1827) is headed 'Chor mit Alt=Solo / Gedicht von Grillparzer'.[6]
