Roger Valença of Monkeybuzz said that "the eleven tracks that add up to just over half an hour compose a delicate and emotional experience, very quiet, which will make fans of the “voice and guitar” genre very happy".[3] Writing for Austin Town Hall, Nathan Lankfork praised the record: "I encourage you to do your own exploration of the record, as each time I spin it, I find something different and new lurking in the background, or even in front of my face. It’s a record that’ll make you lost, looking for the key to its secrets, and in the end, it’s just a nice bit of songwriting".[2]