The title refers to a West Indian song that tells of the pain of the black people from Dahomey (now Benin) who were taken to the Caribbean as slaves.
Premise
A black immigrant makes his way to Paris in search of his Gaul ancestors. The immigrants desperately seek work and a place to live, but find themselves face to face with indifference, rejection, and humiliation, before heeding the final call for uprising.
In his Family Guide to Movies on Video, Henry Herx wrote that the film's "use of ironic humor and lively music keeps the plight of the black emigrant worker from becoming totally depressing."[7]
In The New Yorker, Richard Brody wrote: "Making friends among France's white population, [the main character] finds their empathy condescending and oblivious, and his sense of isolation and persecution raises his identity crisis to a frenzied pitch. Hondo offers a stylistic collage to reflect the protagonist’s extremes of experience, from docudrama and musical numbers to slapstick absurdity, from dream sequences and bourgeois melodrama to political analyses."[8]
Restoration
In 2017, Soleil Ô was given a restoration by the Cineteca di Bologna, with the supervision of Med Hondo. Funding came from the George Lucas Family Foundation and the World Cinema Project, as part of the latter's restoration initiative called the African Film Heritage Project.[9][10]
^Herx, Henry (1988). "Soleil-O". The Family Guide to Movies on Video. The Crossroad Publishing Company. p. 249 (pre-release version). ISBN0-8245-0816-5.