The Scotsman wrote in 1956 that the society "did a good deal to rouse public interest and make “scribes” of ordinary or indifferent penmen".[8]
History
In 1954, the society's aims were said to be "to extend the use of cursive hands based on Renaissance models and to increase the pleasure and skill of its members in writing", and "to help teachers who would like their pupils to write an italic hand but are perplexed to know how best to make a beginning".[9] Fairbank wrote of the society:[10]
The member of the Society for Italic Handwriting, however, will regard [handwriting] from the point of view of the craftsman: it is to him a way of making and creating, and in his correspondence he finds through it the chance to express his aesthetic feelings. Those who cannot draw, but take pleasure in appearances, are afforded an inviting and welcome opportunity to add to the production of things that give visual satisfaction. Clarity and speed are obvious requirements, but how delightful to find that one can be a calligrapher and add grace to penmanship. Ordinary things are so often very ordinary, if not downright dreary, and contemporary works are frequently harsh and the expression of a heavy spirit. Now grace and delight are bidden to take part, if only in a commonplace activity.
The membership subscription in 1952 was ten shillings.[11]
Teachers were particularly represented among members of the society in its early days.[12]
In 1955, Fairbank said that the society had 1400 members.[13] In 1966 it was said to have members in 29 countries, with more than 400 members in America.[14] In 1999 it had 500 members.[15] In 2008 it had 300 members and as described as "growing fast".[16]
The society has published educational resources, worksheets and examples of italic handwriting.[12] In 2004 it was reported as wishing to support teachers working at Key Stage 1.[23]
Awards
The society awards prizes for excellence in italic handwriting.[24] In 1978 it ran an international competition with children's and adults' sections.[25]
Journal
The society publishes a journal, which was originally called the Bulletin, later the Journal, by 1984 Signature, and from 2000 Writing Matters.[26][3][27]
Humphrey Lyttelton, who wrote, "'Calligraphy is very much like music. To start with you have to do some work reproducing the correct shapes. Then you can improvise, so long as it is still based on the original'".[32]
^"General Notes". Journal of the Royal Society of Arts. 101 (4888). RSA The royal society for arts, manufactures and commerce: 70. 12 December 1952. JSTOR41364997. Retrieved 11 September 2023.
^"Home for the Day: A Saturday Supplement to Woman's Hour". Programme Index. BBC. 24 February 1968. Retrieved 11 September 2023. A Fine Italic Hand: AIR CHIEF MARSHAL SIR THEODORE McEvoy , Chairman of the Society for Italic Handwriting, talks to Teresa McGonagle
"The Society for Italic Handwriting", Anna Hornby, in Calligraphy and Palaeography, edited by AS Osley (1965)
A Show of Hands: An Exhibition by the Society of Italic Handwriting, Revised with the Addition of the Original Manuscripts and Printed Books from the Bodleian Library : at the Bodleian Library, Oxford, 5 February - 31 March 1979 (1979)
Dance of the Pen: Celebrating Fifty Years of the Society for Italic Handwriting 1952-2002, by Foster Neville, John Fricker and Ludwig Tan (Roundtuit Publishing, 2002)