This magazine was in operation from 1916 to 1938, with periods of non-production while certain contributors and directors went into exile and prison at various times.
Social set cultural trends, not only in the fashion of Cuba, but in art, politics, and Cuban identity.[6] Social catered to a certain aesthetic in Cuba - that of the sophisticated elite socialite - but Conrado Massaguer would also use this magazine to ridicule and jibe against that same class of society when he found their personalities worthy of his contempt.[7]
The majority of contributors to this magazine, including the founding brothers of the magazine, were members of the Minoristas, which was then at the forefront of the country's intellectual life.[3] Many contributors were devoted members of the group, leading some experts to consider Social as the cultural voice of the Minoristas.[3] However, Social was not officially connected this group.[3]