Sketches for My Sweetheart the Drunk is a compilation album by the American singer-songwriter Jeff Buckley, released by Columbia Records on May 26, 1998,[1] a year after his death. It comprises recordings Buckley made while working on his second album, My Sweetheart the Drunk, with the producer Tom Verlaine in 1996 and 1997. It was released after negotiation with Buckley's mother, the owner of his estate, who feared that Sony was trying to exploit his legacy. It received positive reviews.
Recording and release
Buckley released his debut album, Grace, in 1994. He began recording his second album with the working title My Sweetheart the Drunk in late 1996 with the producer Tom Verlaine. Unsatisfied with the results, Buckley discarded the recordings and went to Memphis with his band to start anew.[2] On the evening of May 29, 1997, Buckley went swimming in the Mississippi River and drowned.[3]
As Buckley left no will, his estate transferred to his mother, Mary Guibert. Soon after Buckley's memorial ceremonies, Guibert learned that Sony was in the process of mixing and mastering the Verlaine recordings for release. This angered Guibert and Buckley's band, as Buckley had not wanted to release them. Through her lawyer, Guibert sent a cease-and-desist letter to Sony.[2]
Sony had not made back its investment on its record deal with Buckley and was eager to release a new album. However, Guibert would allow them to release only material that was "worth using". They compromised on a double album, with the Verlaine recordings on one disc and Buckley's later demos on the other. Guibert did not allow Sony to alter the demos, saying: "If this was his body here and we were preparing it for his funeral, we would not put him in a suit. We would put him in a flower shirt and some black jeans and his Doc Martens and leave his hair all mussed up."[2]
During a 2011 interview, Tony Banks of Genesis commented of Buckley's rendition of Genesis's "Back in N.Y.C.", "I was very surprised that he did the whole thing including the funny bits. If I'd been him I would have just stuck to the main thing. But it was fun and quite sweet really, it was kind of 'why not?'."[15]
Track listing
All tracks composed by Jeff Buckley, except where noted.
International (non-US) editions of disc two include the track "Gunshot Glitter" (Jeff Buckley) as track 7, moving tracks 7–10 of the US edition down a place for a total of 21 tracks.[16]
^Dave Lory, Jim Irvin (2018). Jeff Buckley: From Hallelujah to the Last Goodbye. Post Hill Press. ISBN978-1682615744. Jeff loved British music. [...] the wired consciousness of The Clash, the way Siouxsie and the Banshees went from gun-metal moodiness to skies of fireworks. He adored the Cocteau Twins, of course. He loved how the Smiths called to outsiders and nerds. His Siouxsie and the Banshees influence is most obvious on songs like "Nightmares by the Sea" and "Witches Rave" from the Sketches for My Sweetheart the Drunk album. He adored Siouxsie Sioux; her metallic tone and punky energy are somewhere in Jeff. Then there was Elizabeth Fraser, her "unique, impossible voice", as he described it.
^Giammetti, Mario (2020). Genesis 1967 to 1975 - The Peter Gabriel Years. Kingmaker. p. 225. ISBN978-1-913218-62-1.
^Sketches for My Sweetheart the Drunk (liner notes). Columbia Records. 1998. 488661-2.