Kehl was born in Berlin on 23 November 1929.[1][a] After obtaining her Abitur in Arnstadt, Kehl first studied piano, voice and pedagogy at the conservatory of Thuringia in Erfurt from 1948 to 1951.[1] She studied voice and piano further at the Berlin University of the Arts until 1956.[1][2] She wanted to become a Lieder singer, of songs by Schumann, Brahms and Mahler, thinking that she was too tall for the stage.[3]
Kehl became a permanent member of the ensemble in 1957 and remained there for over 35 years. In the course of her career she performed more than 70 roles at the with the Leipzig Opera, ranging from lyrical mezzo-soprano to dramatic soprano.[5] When she began, opera was still played at an interim house in Lindenau.[3] She first performed small roles such as Ines in Verdi's Il trovatore, the Shepherd boy in Puccini's Tosca and the priestess in Verdi's Aida.[3] She appeared as Mercedes in Bizet's Carmen. Her first lead role was Octavian in Der Rosenkavalier by Richard Strauss, still in Lindenau. When the new opera house was opened with Wagner's Die Meistersinger von Nürnberg, she appeared as Magdalene.[3] The same season, she performed Zenobia in Handel's Radamisto and Helene in Prokofiev's War and Peace.[1] Later she included dramatic Verdi mezzo roles in her repertoire, including Amneris in Aida, Princess Eboli in Don Carlos and Lady Macbeth.[3] In 1964 she first performed the challenging role of the Nurse in Strauss' Die Frau ohne Schatten, directed by Herz and conducted by Paul Schmitz.[3] She then tackled Wagner roles, Ortrud in Wagner's Lohengrin, Venus in Tannhäuser and Brangäne in Tristan und Isolde.[3] She also appeared in trousers roles such as Orpheus in Gluck's Orfeo ed Euridice. She performed the role of the Kostelnička in Janáček's Jenůfa in 1968, conducted by Václav Neumann.[1][3]
At the beginning of the 1970s, Kehl turned to dramatic soprano repertoire, beginning with Leonore in Beethoven's Fidelio in 1970. In 1974 she portrayed Brünnhilde and Fricka in the legendary Ring cycle production by Herz.[3][5] She first appeared as Wagner's Isolde in 1981, conducted by Kurt Masur.[3][5] In the 1982/83 season she assumed the role of Kundry in a new production of Wagner's Parsifal.[1]
Kostelnička was her last stage role in Leipzig in 1989.[2] She still had a contract for the 1989/90 season, but preferred to retire due to the changes during the Wende period. She was awarded the title Kammersängerin in 1963,[1] and was appointed an honorary member of the Leipzig Opera in 1990 after she retired.[1][2]
Concert
Kehl was active as a concert singer. Early in career she performed as an alto soloist with the Thomanerchor. A performance of Bach's Christmas Oratorio at the Paulinerkirche in Leipzig was broadcast live on 15 December 1963. Performed by Thomanerchor and the Gewandhausorchester, with Elisabeth Breuel, Peter Schreier and
Günther Leib, conducted by Erhard Mauersberger, it became a historic document when the church was demolished. The recording was recovered in 2013.[10]
Kehl was married to the actor Friedhelm Eberle [de];[5][3] they lived in Leipzig[1] and had a son.[3] She died on 18 December 2024, at the age of 95.[1][3][5]
Recordings
Kehl made recordings for radio and both live and studio recordings with the label Eterna. Some recordings were reissued on CD, including Mercedes in Carmen in a 1960 complete recording with Soňa Červená and Rolf Apreck, conducted by Herbert Kegel,[11] Zenobia in Handel's Radamisto,[2][12] Preziosilla in Verdi's La forza del destino[13] and Princess Eboli in Don Carlos, both in excerpts with Hanne-Lore Kuhse and Martin Ritzmann [de], conducted by Heinz Fricke.[2][14][15] A solo recital entitled Ein Opernabend mit Sigrid Kehl was also published.[16]
^Verdi, Giuseppe; Iordăchescu, Dan; Kehl, Sigrid; Kuhse, Hanne-Lore; Ritzmann, Martin; Zinger, Grigorij Solomonovič; Staatskapelle Berlin; Staatsoper (Berlin). Chor (1965), Die Macht des Schicksals : Opernquerschnitt (in German), Berlin: VEB Deutsche Schallplatten, OCLC899897774
^Verdi, Giuseppe; Kuhse, Hanne-Lore; Kehl, Sigrid; Ritzmann, Martin; Iordăchescu, Dan; Frick, Gottlob; Fricke, Heinz; Staatskapelle Berlin (2009), Don Carlos (in German), Hong Kong: Naxos Digital Services/Berlin Classics, OCLC704902950
^Verdi, Giuseppe; Frick, Gottlob; Kuhse, Hanne-Lore; Ritzmann, Martin; Kehl, Sigrid; Iordăchescu, Dan; Fricke, Heinz; Staatskapelle Berlin (1992), Don Carlos Opernquerschnitt (in German), Berlin: Deutsche Schallplatten, OCLC1183683339