Shut Up 'n Play Yer Guitar is a series of three albums - Shut Up 'n Play Yer Guitar, Shut Up 'n Play Yer Guitar Some More, and Return of the Son of Shut Up 'n Play Yer Guitar - released by Frank Zappa in 1981. The albums consist solely of electric guitar instrumentals and improvised solos (mostly) played live by Zappa and featuring a wide variety of backing musicians.
The music was well received by critics, and Zappa subsequently produced additional albums focusing solely on guitar-oriented instrumental music.
The albums were initially released as individual LPs in May 1981 on Barking Pumpkin Records and sold only through mail order in the United States. The recordings were subsequently reissued as a triple album box set in 1982 and distributed by CBS Records in Europe. The complete package later appeared as a two CD set.
Background
After the release of Joe's Garage, Frank Zappa set up his home studio, the Utility Muffin Research Kitchen, and planned to release a triple LP live album called Warts and All. As this project neared completion, Zappa found it to be "unwieldy" due to its length.[1][2] Zappa later conceived the Shut Up 'N Play Yer Guitar series, which contained two tracks originally prepared for Warts and All.[2]
Content
The music is entirely instrumental but interspersed with brief bits of comic dialogue from Zappa band members. More of these bits appear on other Zappa albums such as Läther.
Most solos come from live performances. The three title tracks are all derived from the song "Inca Roads"; various other solos were taken from "Conehead", "Easy Meat", "The Illinois Enema Bandit", "City of Tiny Lites", "Black Napkins", "The Torture Never Stops", "Chunga's Revenge", and "A Pound for a Brown on the Bus". "Ship Ahoy" was the coda from a performance of "Zoot Allures" the first part of which appears on You Can't Do That on Stage Anymore, Vol. 3.
The final track, "Canard du Jour", is a duet with Frank Zappa on electric bouzouki and Jean-Luc Ponty on baritone violin dating from a 1972 studio session.
Reviewing the album's double CD incarnation in a retrospective assessment for AllMusic, Sean Westergaard wrote, "Frank Zappa [...] was one of the finest and most under appreciated guitarists around. [...] This is an album that should be heard by anyone who's into guitar playing."[3] Another writer for the website, Lindsay Planer, similarly appraised the individual releases Shut Up 'n Play Yer Guitar Some More and Return of the Son of Shut Up 'n Play Yer Guitar, writing of Some More, "it is certainly a wonderful place for interested parties to commence their discovery of the (dare say) many moods Zappa imbued in carefully constructed yet thoroughly improvised compositions such as the seven found here."[4] In regard to Return of the Son, Planer wrote that Zappa "saved some of his best offerings [...] Zappa pours his expansive ideas onto the soundscape with a certainty and purpose that is simply unmatched in terms of passion and inspiration."[5]
