The film was released on March 26, 2021 by RLJE Films.
Plot
In Denver, four friends reel from the sudden breakup of the Smiths, while the local radio station is held at gunpoint by a fan who forces a disgruntled heavy-metal DJ to play music by the Smiths all night.
The plot is loosely based on an actual incident that occurred in 1988 when an 18-year-old attempted to commandeer Denver Top 40 station Y108.[1]
In September 2020, RLJE Films acquired distribution rights to the film.[8] It was released on March 26, 2021.[9]
Reception
Critical reception
On Rotten Tomatoes, the film holds a 45% approval rating based on 44 reviews, with an average rating of 5.40/10.[10] On Metacritic, the film holds a rating of 50 out of 100, based on seven critics, indicating "mixed or average reviews".[11]
Jeannette Catsoulis of the New York Times wrote that the film was "a loving gift to superfans of the English band The Smiths...this sweetly nostalgic look at lost boys and lonely girls feels like it comes straight from the heart."[12]Armond White's review in National Review stated: "This is an alternative-rock version of American Graffiti...(the) music's dramatic resonances are, moment to moment, breathtaking";[13] he also wrote: "If The Smiths were the greatest group of the Eighties, this film about American teens' heartfelt response, reveals the most intense longing for personal expression in the history of popular culture. Stephen Kijak creates one poignant, exultant scene after another."[14] Ken Scrudato of BlackBook wrote: "The film is haunted by a kind of inescapable, mournful nostalgia, as it piercingly reminds of the irreversible demise of the sort of weirdo tribalism that once so intensely bound together all those living just beyond the fringes of societal acceptance – a tribalism that has been replaced by the Instagramming of pancakes and the soulless obsession with 60-second TikTok videos about absolutely nothing...these were indeed the songs that saved your life – and Shoplifters of the World rightly and properly celebrates them."[15]
Reaction from Morrissey
The Smiths' lead singer Morrissey voiced his approval of the film, stating on his website: "I laughed, I cried, I ate my own head. The Smiths' past still sounds like today's frustrations and tomorrow's liberations."[16]