Dougher has released eight albums, a combination of work with bands as well as solo releases.[2] Since 2007, she has co-directed Portland's Flash Choir with Pat Janowski. The Flash Choir is free, no-audition choir that specializes in collaborative, audience-inclusive work. In January 2010 she debuted a 10-song composition called "Strangers Together," with a libretto from Oregon poet and pacifist William Stafford's book, Passwords. Portland's Regional Arts and Culture Council supported the creation and production of this work through a project grant. In 2009, she composed a choral work called Caesar's Gatebased on the collaborative work of poet Robert Duncan and collage artist, Jess, commissioned by the Cooley Gallery at Reed College.
The first of her solo albums, Day One, was released on indie label K Records in 1999; the latter two, 2000's Walls Ablaze and 2001's The Bluff, were released on Mr. Lady records. In June 2005, Dougher released Harper's Arrow on the Cherchez La Femme label. Beginning with "Day One", Sarah began a long-lasting collaboration with Jon Nikki (Prima Donnas, Gene Defcon, Mocket, Sir, Sarah Dougher, Puce Moment). Jon Nikki contributed guitar, keyboards and piano, bass and drums on many of Sarah's recordings as well as a songwriting credit on the album "Walls Ablaze" for the song "What's Good Is Better Than Gone".
Cadallaca
Dougher has also worked with Sleater-Kinney vocalist Corin Tucker and novelist sts in the band Cadallaca, where she provided vocals and played the Farfisa organ. In the tradition of 1960's girl groups, each member of the band assumed an alias, Dougher being credited as Dusty. The band put out two official albums: Introducing Cadallaca (K Records) and Out West(an EP, on Kill Rock Stars).
The Crabs
The Crabs were a Portland, Oregon-based indie-rock band. Originally formed as a duo in 1993 with John Lunsford (vocals, guitar) and Lisa Jackson (vocals, drums), the pair later added Sarah Dougher on keyboard following their 1997 release What Were Flames Now Smolder. Dougher contributes keyboards and vocals to the 1999 release, Sand and Sea
Dougher has been an organizer for the Rock and Roll Camp for Girls, and is currently involved with the Girls Rock Camp Alliance, an international coalition of girls' rock camps. Between 2006 and 2010, she worked as a full-time teacher and development person for p:ear, a mentoring program for homeless teens in downtown Portland.[5][6]
Dougher started the record label 'Cherchez La Femme', which centers around the same grassroots feminist ideals of the labels Dougher herself has previously recorded under.[7] In 2006, Dougher was hired to score a version of Euripides' classical Greek tragedyOrestes, which ran for five weeks in Portland.[8]
^"United States Public Records, 1970–2009," database, FamilySearch (May 22, 2014), Sarah Eugenie Dougher, Residence, Portland, Oregon, United States; a third party aggregator of publicly available information.
