Sam Wells
Sam Wells in June 1922
Born	Samuel Garnet Wells (1885-02-02)2 February 1885 North Sydney, New South Wales
Died	12 March 1972(1972-03-12) (aged 87) East Melbourne, Victoria
Nationality	Australian
Area(s)	Caricatures, Sporting Cartoons, Political Cartoons
Spouse(s)	Grace Maud Pike (m.1907; div.1912) Marjorie Elizabeth Egan (m.1912; div.1931) Vera Murray (m.1932)

Samuel Garnet Wells (a.k.a. Samuel Garnet Smith-Wells) (2 February 1885 – 12 March 1972) was an Australian cartoonist, caricaturist, artist, and draughtsman. Over a career of almost half a century, he worked at the Williamstown Chronicle, the Melbourne Punch, the Melbourne Herald, The (Manchester) Daily Dispatch, and the Melbourne Age as a political/editorial and sporting artist.^[1]

He was also responsible — in his Herald cartoon of 6 July 1923 — for suggesting that the Geelong Football Club adopt a black cat as its mascot, and adopt the nickname of "The Cats".

The son of the civil engineer Samuel Smith Wells (1851-1904) (a.k.a. Samuel Smith-Wells),^[2][3] and Emmeline Wells (1858-1885), née Little,^[4][5] Samuel Garnet Smith Wells was born in North Sydney, New South Wales, on 2 February 1885.^[6]

He married Grace Maud Pike, in Manly, New South Wales on 9 April 1907; they were divorced in May 1912 (the decree nisi was granted on 30 November 1911).^[7]

He married Marjorie Elizabeth Egan (1881-1970), at Fitzroy, Victoria on 5 April 1912; on 17 September 1931, Wells was granted his petition for a decree of nullity of this marriage,^[8] on the grounds that, although he had (incorrectly) believed that his earlier marriage had been terminated in November 1911, he had not, in fact, been free to marry until 19 June 1912 (when the decree nisi had been pronounced absolute).^[9][10]

He married Melbourne Artist Vera Murray (1900-1985), at Caulfield, Victoria, on 9 February 1932.^[11] They remained together until his death in 1972.

He was educated at Kiama Grammar School.^[12][13]

External images
"Preparatory sketch of Australians firing at the German steamer Pfalz which attempted to get through the Melbourne heads on 4th (sic) August 1914", pencil drawing by S. G. Wells in the collection of the National Library of Australia.
Collection of (approx. 37) theatrical masks painted by Samuel Wells (c.1918) for Bland Holt in recital, in the collection of the State Library Victoria.

^{[14][15][16][17][18]}

Over a career of almost 50 years, Wells worked for a number of publications in Australia and in the U.K.

In 1919, Krefft (at the time a resident of Williamstown, Victoria) was commissioned by the Williamstown Chronicle to produce a series of caricatures of eminent local citizens.^[19][20]

Forty of these caricatures were published, one each week: the first, that of Frederick Ernest Pincott (1872–1941), the manager of Nugget Polish Co., on 24 May 1919,^[21] and the fortieth and final caricature in the series, that of James Lord (1849-1925), manager of the Williamstown Gas Company,^[22] on 20 March 1920.^[23]

Having contributed caricatures to the Melbourne Punch during the war,^[24] Wells joined its staff after World War I.^{[25][26][27][28][29]}

He worked at the Melbourne Herald as both a political/editorial cartoonist^[30] and as a sporting cartoonist^[31] from 1922.

Driven by the popularity of the humorous fictional "letters from the bush", that regularly featured in the Melbourne Herald, written by C.J. Dennis, supposedly written by Ben Bowyang, a philosophical farmer from "Gunn's Gully",^[32] Wells, the Herald's resident caricaturist, pretended to have visited Gunn's Gully — "Correspondents have frequently asked what Ben Bowyang and Bill Smith are like. This is Wells's impression of them after a visit to Gunns Gully" — and, on 20 June 1923, the Herald presented 'caricatures' of the fictional pair, as if they were, indeed, real people.^[33]

Ten years later, based upon Dennis' columns^[34] and Well's (1923) caricatures, Alex Gurney (at the time also a Herald employee) went on to create the characters for his successful comic strip,^[35] the first of which was published on 7 October 1933 (i.e., one week after Bowyang's last letter had been published).^[36]

In relation to Wells's (apparently independent) political/editorial cartoons over his entire career, it is significant that a series of his cartoons, highly critical of the Australian Labor Party in general, and of its leader, Matthew Charlton in particular, were published in relation to the (14 November) 1925 Australian federal election,^[37] with the unusual statement "Cartoon drawn, after consultation, to express the views of The Herald, by S.G. Wells, 62 Flinders street, Melbourne", at the foot of each cartoon — NB: the reason for appending this particular statement to Wells's work at this time was never disclosed.

On 17 March 1926, an exhibition of nearly 400 examples of Wells's portraits, caricatures, and his sporting and political/editorial cartoons was opened at the New Gallery, 107 Elizabeth Street, Melbourne, by the former Prime Minister of Australia, Billy Hughes, one of Wells's favourite cartoon subjects.^{[38][39][40][41][42][43]}

^[44]

He returned to the Herald in January 1941.^[45][46][47] His first cartoon was published on 14 January 1941, and he continued to work at the Herald until he was forcibly retired, due to the paper's retirement-at-sixty-five policy.

He moved to Melbourne Age, and contributing a special cartoon, every Monday and Friday,^[48][49] in the newspaper's sports section, until the end of January 1967.^[1]

He died at his residence in Powlett Street, East Melbourne, on 12 March 1972.^[50]

• Dietrich, Roger (2011), "Samuel Garnet Wells", Design & Art Australia Online.
• Wells, S.G. (1923), Wells Football Cartoons, Melbourne: The Herald.
• Wells, S.G. (1950), Sam Wells, The Age, (3 November 1950), p. 1.
• "19. Maritime Art Mystery", Melbourne Maritime Heritage Network, February 2023.