Sam Cooke at the Copa is a live album by American singer-songwriter Sam Cooke.[9][10] The album was released in 1964 in the United States by RCA Victor.[4] It was Cooke's only live album to be released during his lifetime; Live at the Harlem Square Club, 1963, although recorded earlier, was not released until 1985.[11]Copa was reissued in 2003, with remastered sound.[12]
The album was recorded during a two-week stand in July 1964.[14] The shows during the 1964 engagement were well received, in contrast to a show Cooke performed at the Copa in 1958.[14][15][16] Staying away from the Copa—and from many "white" clubs—for years, Cooke was inspired to return after watching Nat King Cole go over well there.[17] Cooke chose to perform a set heavier on standards and show tunes.[18]
Sam Cooke at the Copa was produced by Al Schmitt.[19] It was recorded on 3 tracks, and was engineered by Bernard Keville.[20]
Critical reception
AllMusic wrote: "One of a handful of live albums by a major soul artist of its era, it captured Cooke in excellent voice, and was well-recorded -- it just wasn't really a 'soul' album, except perhaps in the tamest possible definition of that term."[3]The New Rolling Stone Album Guide called the album "genial, and even a bit cheesy in a jivey, Vegas kind of way, but nonetheless spirited in its own right."[7] The Chicago Tribune wrote that Cooke's "fluttering yodel and charming demeanor make evident that he knew he had crashed through the invisible ceiling, hurdling the only barrier he hadn't yet cleared and solidifying his status as the ultimate crossover artist."[1]
The Times wrote that the album "captures the more decorous version of the singer’s live act."[21] Praising the sound of the 2003 reissue, The Baltimore Sun wrote that Cooke "still manages to imbue such stuffy standards as 'Frankie and Johnny', 'If I Had a Hammer' and 'Tennessee Waltz' with gospel-dipped exuberance."[22]
