Saishū Onoe (尾上 柴舟, Onoe Saishū) (20 August, 1876 – 1, January, 1957) was the pen name of Hachirō Onoe (尾上 八郎, Onoe Hachirō), a Japanese tanka poet, educator, and calligrapher.[1]
After finishing Tokyo Imperial University[2] in 1901,[3][4] after teaching at Tetsugaku-kan, Onoe professed at the early days of Ochanomizu Women's College (then Tokyo Women's Higher Normal School (東京女子高等師範学校),[5][6][7][8][9] and Waseda University at its Department of Education (then Waseda University Higher Normal School (早稲田大学高等師範部),{{Efn|The Official Gazette records in 1918 (Taisho 7th) that Onoe was transferred.[3][10] to be a professor at Gakushuin Women's University(then Gakushuin for Girls (女子学習院).[9][10][11] Onoe also taught at the 6th Temporary Teacher Vocational School.[12][13][14]
Saishū wrote a poetry column for the magazine Shinsei ("New Voices"). He also founded the Shazensō-sha ("Plantain Society") in 1905, which stressed clarity, simplicity, and capturing ordinary experiences in poetry.[15] This was in reaction to the style of the tanka poets associated with Myōjō magazine (such as Yosano Akiko) which emphasized the passionate side of human nature. Members of the Shazensō-sha included the noted Naturalist tanka poets Wakayama Bokusui and Maeda Yūgure, a pupil of Onoe Saishū.
Post humous exhibition was held in Ginza in 1957. It was followed by the anniversary exhibitions at the 100th and 130th year after Onoe's birth, or in 1975 and in 2006 respectively with catalogs published.
Onoe was a collector of historical calligraphic works, including:
Received the Second Order of the Sacred Treasure on April 23, 1939 (Shōwa 14).[17][18]
Hachiro Onoe (1955–1956). Calligraphy Introductory Course, Iwasaki Shoten, an anthology.
Co-edited:
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Onoe Saishu (Onoe Hachiro, 1876-1958) in his article "Tanka met- subo shiron" (The Fall of Tanka — A Personal View, 1911) denounced tanka as a genre in favor of fiction. Akiko tried to promote tanka by writing a few beginners' guides and ..."
Onoe had been a disciple of Ochiai Naobumi at Asakasha in the days when Tekkan was also in his fold, but had since formed the Ikazuchi Society with Kubo Inokichi and Motoharu Hattori (服部躬治, Hattori Motoharu), and undertaken a tanka reform movement. The Ikazuchi poets had a different approach from the Myojo group, ...
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