Ruth Goetz was a German screenwriter active during the silent era. She was credited on more than 60 films over the course of her career.^[1][2][3]

• The Beggar Countess (dir. Joe May and Bruno Ziener, 1918)
• The Platonic Marriage (dir. Paul Leni, 1919)
• Veritas Vincit (dir. Joe May, 1919)
• The Bodega of Los Cuerros (dir. Erik Lund, 1919)
• The Foolish Heart (dir. Erik Lund, 1919)
• The Mistress of the World (dir. Joe May, 1919–1920)
• The Enchanted Princess (dir. Erik Lund, 1919)
• The Fairy of Saint Ménard (dir. Erik Lund, 1919)
• The World Champion (dir. Erik Lund, 1919)
• The Last Sun Son (dir. Erik Lund, 1919)
• The Commandment of Love (dir. Erik Lund, 1919)
• The Eyes of the World (dir. Carl Wilhelm, 1920)^[4]
• The Clan (dir. Carl Wilhelm, 1920)
• The Three Aunts (dir. Rudolf Biebrach, 1921)
• The Circle of Death (dir. William Karfiol [de], 1922)
• The Second Shot (dir. Maurice Krol, 1923)
• The Island of Tears (dir. Lothar Mendes, 1923)
• The Great Industrialist (dir. Fritz Kaufmann [de], 1923)
• The Four Marriages of Matthias Merenus (dir. Werner Funck, 1924)
• The Monk from Santarem (dir. Lothar Mendes, 1924)
• Reveille: The Great Awakening (dir. Fritz Kaufmann [de], 1925)
• The Salesgirl from the Fashion Store (dir. Wolfgang Neff, 1925)
• In the Valleys of the Southern Rhine (dir. Rudolf Walther-Fein and Rudolf Dworsky, 1925)
• The Fallen (dir. Rudolf Walther-Fein and Rudolf Dworsky, 1926)
• Women and Banknotes (dir. Fritz Kaufmann [de], 1926)
• The Adventurers (dir. Rudolf Walther-Fein, 1926)
• Marriage Announcement (dir. Fritz Kaufmann [de], 1926)
• Accommodations for Marriage (dir. Georg Jacoby, 1926)
• Tragedy of a Marriage (dir. Maurice Elvey, 1927)
• Tragedy of the Street (dir. Bruno Rahn [de], 1927)
• A Murderous Girl (dir. Sidney Morgan, 1927)
• The Glass Boat (dir. Constantin J. David and Jacqueline Milliet, 1927)
• Give Me Life (dir. Klaus Fery, 1928)

• Ruth Goetz at IMDb

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