Ria Bancroft (1907 – 8 March 1993) was a British-New Zealand artist born in England.[1] She created the Tabernacle Screen Doors for Cathedral of the Blessed Sacrament in Christchurch and her works are held in several New Zealand art galleries.
Background
Born in England in 1907, as an adult she moved to Canada to work as a television designer and display artist. She moved Italy in the 1960s to study art,[2] receiving a Diploma from the Academy of Florence.[3] She moved to New Zealand in 1962, joining her daughter Peb Simmons in Christchurch. Bancroft died on 8 March 1993 in Christchurch, New Zealand.[3]
Career
After studying art in Italy, it was only after moving to New Zealand that Bancroft began to focus on her sculpture work. Her work often included religious subjects.[3]
After receiving recognition for her work, Bancroft became increasingly involved in art education and delivered a number of talks and lectures. In 1971 she accepted a position as art teacher at Xavier College, a boys' High School. In 1974 she resigned the position to focus on her art.[3]
In addition to her public works, notable works by Ban include Rocking Horse (1963)[19] and Unicycle No 2.[3] Her final piece, a life size portrait of the Russian writer Alexander Solzhenitsyn, was completed in 1992.[3]
In 1998 the Robert McDougall Art Gallery held a posthumous exhibition of Bancroft's work entitled, Ria Bancroft: Three Decades of Sculpture.[3][20] A biography of her life, No Ordinary Woman: A Biography of Ria Bancroft, was written by her daughter Peb Simmons and published in 1997.[21]
Bancroft received many public commissions in New Zealand including:
Horizon – her first major commission, for the Christchurch City Council in 1965, it incorporated in the design of the new 'Horizon' restaurant at Christchurch International Airport[3]
Forms – 9-metre-long mural, made in collaboration with Pat Mulcahy, for the Ministry of Works and was incorporated in the design of the University of Canterbury's new Science Lecture Hall[3]
Thy Kingdom Come – commissioned for the Holy Cross Chapel in Christchurch in the 1970s[3]
‘Christus Rex’ memorial cross for All Saints' Church in Dunedin – completed in 1990[3]
Her work, Energetic Forms, 1965–1966, created with Pat Mulcahy is included in the University of Canterbury sculpture trail.[24]
In the 1980s she assisted in the refurbishment of St Mary’s Catholic church in New Brighton (where she attended) with sculptor Bing Dawe. In addition to work on the altar, lectern, font, and sanctuary, Bancroft created and gifted a sculpture of the Virgin Mary to the church.[3]
References
^"Bancroft, Ria". findnzartists.org.nz. Retrieved 19 October 2017.
^Crighton, Anna (2014). English, Colonial, Modern and Maori: The Changing Faces of the Robert McDougall Art Gallery, Christchurch, New Zealand, 1932–2002. Cambridge Scholars Publishing. ISBN978-1443871693.