You can help expand this article with text translated from the corresponding article in Spanish. (November 2011) Click [show] for important translation instructions. View a machine-translated version of the Spanish article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia. Do not translate text that appears unreliable or low-quality. If possible, verify the text with references provided in the foreign-language article. You must provide copyright attribution in the edit summary accompanying your translation by providing an interlanguage link to the source of your translation. A model attribution edit summary is Content in this edit is translated from the existing Spanish Wikipedia article at [[:es:Raquel Señoret]]; see its history for attribution. You may also add the template {{Translated|es|Raquel Señoret}} to the talk page. For more guidance, see Wikipedia:Translation.

Raquel Señoret (October 10, 1922 – November 27, 1990) was a Chilean poet. She was the youngest daughter of the Chilean ambassador to London. On 8 June 1940, aged seventeen, she married John Watney and they had three children: Lucas, Javier, and Paula. Watney's first published book, Sunstroke, was dedicated to her.

Even at that young age, she was writing poetry. She considered her poems her most precious possessions and kept them stored in a hat-box for easy evacuation should the house be bombed.^[1] The marriage did not last and they were divorced on 18 June 1945. She returned to Chile on 4 July 1945. They remained friends and corresponded with each other until her death in 1990. Their time together in 1940 is described in Watney's book He Also Served (Hamish Hamilton, 1971, SBN 241 02011 5).

Senoret wrote cantos with verses of three long lines each. Her most important work is Anagogias (Ediciones Documentas, Guayaquil, 1988), an anthology of three separate works, each consisting of a dozen or more cantos: El Infinito y su Reflejo (The Infinite and its Reflex), El Sortilegio de la Imaginacion (The Sortilege of Imagination), and Presencia en el Tiempo (Presence of Time).

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