Rania Matar (born 1964) is a Lebanese/Palestinian/American documentary, portrait and fine art photographer. She photographs the daily lives of girls and women in the Middle East and in the United States, including Syrian refugees.[1]
Matar has made several series of photographs, including SHE, L'Enfant Femme, Unspoken Conversations, Women Coming of Age, A Girl and Her Room, Invisible Children, and Ordinary Lives. Her portraits explore gender studies and often consider varying national identities.[2]L'Enfant Femme depicts preteen girls living in the United States and the Middle East, and focuses on documenting the age between childhood and maturity.[5] Mothers and daughters are photographed together and present a universal nature of womanhood in the series Unspoken Conversations.[5] Matar began her series Invisible Children after a visit to Beirut in 2014. She noticed how many Syrian refugee children were on the streets begging for work and money.[6] This series documents the individuality of each child.[7] In 2017, Matar's work was included in the Biennale of the Contemporary Arab World held in Paris at the Arab World Institute.[8]
Publications
Ordinary Lives (2009). With an essay by Anthony Shadid. Selected as best photo book of 2009 by Photo-Eye Magazine.[9]
^"Fellows Notes - Nov 22". ArtSake. Massachusetts Cultural Council. 2 November 2022. Archived from the original on 28 April 2023. Retrieved 20 May 2023.