On his return, he began work in various union positions, most of which were poorly paid. Some of Chaplin's early artwork was done for the International Socialist Review and other Charles H. Kerr publications.
For two years Chaplin worked in the strike committee with Mother Jones for the bloody Kanawha County, West Virginia strike of coal miners in 1912–13. These influences led him to write a number of labor oriented poems,[citation needed] one of which became the words for the oft-sung union anthem, "Solidarity Forever".
Chaplin then became active in the Industrial Workers of the World (the IWW, or "Wobblies") and became editor of its eastern U.S. publication Solidarity. In 1917 Chaplin and some 100 other Wobblies were rounded up, convicted, and jailed under the Espionage Act of 1917 for conspiring to hinder the draft and encourage desertion. He wrote Bars And Shadows: The Prison Poems while serving four years of a 20-year sentence.
Although he continued to work for labor rights after his release from prison, Chaplin was very disillusioned by the aftermath of the Russian Revolution and the evolution of the Soviet state and international communism, particularly its involvement in American politics and unions in 1920–1948, as he details in his autobiography, Wobbly.[page needed]
Chaplin maintained his involvement with the IWW, serving in Chicago as editor of its newspaper, the Industrial Worker, from 1932 to 1936. Chaplin left the IWW in 1936.[1]
According to the IWW, Chaplin likely designed the now widely used anarcho-syndicalist image, the black cat.[2] In 2022, law professor Ahmed White mentioned him in his book on the IWW called Under the Iron Heel.[3]
Works
There are ten entries for Chaplin's works in the Library of Congress online catalog.