The film follows various townspeople in the small, predominantly Scandinavian community of Rachel River in northern Minnesota. Mary Graving, an independent, unattached young woman, works for a weekly radio show. She is also a single mother who worries about not being able to provide for her children. Mary must contend with the advances of several local men, including ex-husband Cordell; Jack, a funeral director; and Marlyn, the deputy sheriff.
Meanwhile, Harriet White, the stoic wife of a farmer, bravely confronts the impending death of her husband. Momo, a developmentally disabled man, may know the truth to rumors that a horde of cash was hidden on the property of Svea Estava, a recently deceased townswoman.
The film was a longtime passion project for Sandy Smolan. He first got the idea for the film in 1983 after moving to Moose Lake, Minnesota from New York for a job and wanting to do a feature about the community where he lived.[2] For a few years, he could not envision what the story would be about until he remembered he was given Letters From the Country, a short story collection written by Carol Bly shortly before leaving New York. The stories happened to be set in the Moose Lake area.[2] He decided to adapt it and was able to get Judith Guest, author of the novel Ordinary People and a Minnesotan, to write the script.[2] Financing was a prolonged process involving grants from the Corporation for Public Broadcasting and PBS's American Playhouse.[2][1][3] In 1984 and 1985, Smolan was invited to present his concept for the film at the Sundance Institute.[2] The film was the recipient of the first ever Sundance/Panavision Filmmaker Grant, which provided the production with a Panaflex camera.[3]
Filming took place over 30 days in November 1986,[2] with post-production completed in August 1987.[1] The budget was $1.2 million (equivalent to $3.34 million in 2023).[1]
A year after its Toronto premiere, the film secured a distribution deal with Taurus Entertainment Company, a specialty unit of United Artists.[2] It was given a limited theatrical release on January 20, 1989.[4]
The film was later broadcast on American Playhouse.[1]
Critical reception
Kevin Thomas of the Los Angeles Times gave a positive review in which he praised the performances of Lindfors and Reed.[5] He concluded,
What distinguishes 'Rachel River' from most other independent American films is not only its ensemble portrayals under the spare and rigorous direction of Sandy Smolan, a documentary film maker in his feature debut. It also boasts appropriately austere images, captured by cinematographer Paul Elliott and its exceptionally rich and evocative score, composed by the distinctive New Age composer Arvo Part. The contrast between the way 'Rachel River'...looks and the way its sounds expresses perfectly the difference between the faces its people try to present to the world and what’s going on behind them.[5]
Spirituality & Practice also praised the film, writing "Rachel River is a magical movie about the emotional education of adults in a world of mysteries which have no name and of little things that people are reluctant to talk about, such as vague longings, roving fears, and unfulfilled dreams."[6]
Awards
The film won the Excellence in Cinematography Award Dramatic for Paul Elliott and a Special Jury Prize for Acting for Viveca Lindfors at the 1988 Sundance Film Festival.[7][8]
References
^ abcdeLarsson, Alice M. (September 11, 1987). "Minn's film, video & recording industries boom". Backstage. Vol. 28.
