Queering The Pitch: The New Gay and Lesbian Musicology is a 1994 book edited by Philip Brett, Elizabeth Wood, and Gary C. Thomas.[1][2] It was published in the United States by Routledge and focuses on the impact of factors such as sexuality or race has on a musician's music.[3]
Synopsis
The book's chapters examines how sexuality in the American Musicological Society (AMS) as well as the differences on how the musician's sexuality and the sexuality defines the musician's music along with gender, race, class and nationality.
^Cook, Susan C. (1996). "Review of Music and Image: Domesticity, Ideology and Socio-Cultural Formation in Eighteenth-Century England; The Sight of Sound: Music, Representation, and the History of the Body, Richard Leppert; Rediscovering the Muses: Women's Musical Traditions; Queering the Pitch: The New Gay and Lesbian Musicology". Signs. 21 (3): 769–774. doi:10.1086/495113. JSTOR3175186.
^Miller, Edward David (1994). "Review of Queering the Pitch: The New Gay and Lesbian Musicology". TDR. 38 (4): 191–194. doi:10.2307/1146432. JSTOR1146432.
^Sweeney-Turner, Steve (1996). Brett, Philip; Wood, Elizabeth; Thomas, Gary C. (eds.). "Mine Camp". The Musical Times. 137 (1846): 28–29. doi:10.2307/1004269. JSTOR1004269.
^Garnett, Liz (1996). "Review of Queering the Pitch: The New Gay and Lesbian Musicology". Music & Letters. 77 (3): 482–483. doi:10.1093/ml/77.3.482. JSTOR737134.