Profit Prison is the stage name of Seattle-based dark synth music artist Parker Lautenschlager. Born in Monroe, Washington, Lautenschlager was raised in small town Western Washington. Known for his melancholic and atmospheric soundscapes, Profit Prison blends elements of darkwave, post-punk, and synthwave, exploring themes of isolation, existential struggle, and emotional turmoil.[1]
Career
Originally launching out of Seattle, Lautenschlager toured nationally and internationally with the hardcore band Marrow, death metal band Excarnated Entity, power electronics act Anteinferno, and black metal band Bhereg.[2]
Lautenschlager formed Profit Prison in 2016.[3] The project is characterized by the use of synthesizers, basslines, and vocals that contribute to its darkwave sound.[4] Its style blends atmospheric elements with influences from retro and modern synth music.[5][6]
Contributed the songs "120 Days" and "A Question of Etiquette"
Sonic Seducer Cold Hands Seduction - Vol. 222 (2020 on Sonic Seducer)
Contributed the single "A Premonition"
Year Of The Mask (2020 on AVANT! Records)
Contributed the song "Witnes"
Critical Reception
Profit Prison has received attention within the darkwave and synth music communities for its distinctive style and approach to dark synth music.[11][19] Critics have highlighted Profit Prison the project's emotionally impactful compositions and unique contributions to the genre.[18][20]
Alice Teeple at Post-Punk described Profit Prison as "at the forefront of dungeon synth," adding that the sound "evokes the essence of a lucid dream set against the backdrop of Studio 54’s legendary dance floor, blending the ethereal with the electric."[3]
Tyler Barney at CVLT Nation characterized Profit Prison as "captivating," describing its sound as a "dystopian brand of synthpop" that is "equal parts synthpop, Hi-NRG, and Italo disco."[4] Sean Reveron, also at CVLT Nation, stated that Profit Prison "looks to the past while pushing the genre forward."[16]
New Noise Magazine described Profit Prison's work as delivering a "political punch," highlighting the project's engagement with themes of societal critique.[12]