Mighton approached Lepage to direct an adaption of his play. Lepage, who had seen a tape of Daniel Brook's minimalistic 1998 production, agreed to the request.[4] He liked Mighton's combining of art and science and the theme of diverse, multilayered identity.[4]
The Australian film festival Possible Worlds,[5] running since 2006, was named after the film.[6]
Plot synopsis
The film follows the script of the play. George Barber (Tom McCamus) is a mathematician having strange dreams. He continuously meets a woman, Joyce (Tilda Swinton), at a bar. Sometimes, she is a scientist, sometimes she is a stockbroker, and she doesn't seem to remember him from a moment to another. He has also a dream about strange men who move stones here and there on a rocky waterfront. There is a man in this dream, the Guide (Gabriel Gascon), who is also a neuroscientist in real life.
The neuroscientist is interviewed by two detectives (Sean McCann and Rick Miller) about a serial killer stealing the brains of its victims. After agreeing to follow him on a beach, Joyce with George, sees a distant red light flickering on the ocean horizon. In the neuroscientist's lab, many brains are connected to red lights, indicating brain activity. The neuroscientist lies near a machine containing a brain and tries to influence the brain by thoughts.
George goes to see a doctor, who is the neuroscientist, about his strange dreams. The detectives arrest the neuroscientist, now understanding he is the one stealing brains for his experiments on consciousness. George's corpse was found without his brain, which is now kept artificially alive in the machine.
Joyce Barber is told her husband's brain is still alive but experiencing life in a discontinuous dream state. In the final scene, George and Joyce are again reunited on the beach, but this time the red light on the horizon goes out for good. It is suggested the real-life Joyce agreed to end George's consciousness out of compassion.
Awards
Won
Best Achievement in Art Direction/Production Design - Genie Awards
