In contrast to works depicting classical, idealized Madonnas and figures from antiquity, this portrait shows the sitter in a realistic manner. The Pope is depicted with the weight of late middle age, while his sight appears to be strained. The painting sets up a series of visual contradictions between appearance and reality, intended by Raphael to reflect the unrest of a period of turmoil for the papacy. Martin Luther had recently challenged papal authority,[1] listing among other grievances, Leo X's method of selling indulgences to fund work on St Peter's.
The cardinal to the left of the painting has been identified as Giulio di Giuliano de' Medici (the future Pope Clement VII) while the other cardinal is usually identified as Luigi de' Rossi, who was a maternal cousin to both the other two portrayed.[3][4]