Adolf Furtwängler[5] identified the obscure Phradmon as a follower of Polykleitos, but Brunilde Sismondo Ridgway made a case for Phradmon's being a 4th-century BCE sculptor, in which case, for those who are convinced, "the possibility of contemporaneity collapses and with it the entire anecdote of the contest".[6]
In 1969, three statue bases were discovered at Ostia Antica, one of which had supported a statue of a certain Charite, priestess at Delphi, made by Phradmon of Argos; the inscriptions' form dates them to the 1st century BCE, suggesting that the sculptures had been re-erected on new bases repeating their former inscription.[11]
^Pliny the Elder, Natural History xxxiv. 8. s. 19, according to the reading of the Bamberg manuscript; the common text places all these artists at Olympiad 87