Philip Hoare is a British writer, film-maker and curator. He won the 2009 Samuel Johnson Prize, now known as the Baillie Gifford Prize for Non-Fiction, for his work Leviathan, or the Whale.
He was born Patrick Moore.[2] He chose the name Philip Hoare to avoid confusion with astronomer Patrick Moore:[1]
Imagine having to spend your entire life living with people asking: 'You're not that astronomer, are you?' Or: 'Do you play the xylophone?' Another reason was that when I was managing bands I used to review my own bands for the NME and Sounds as Philip Hoare. Philip was my confirmation name; Hoare my mother's maiden name.
Hoare was the winner of the 2009 Samuel Johnson Prize, now known as the Baillie Gifford Prize for Non-Fiction, for his work Leviathan, or the Whale.[3] The book, which describes a personal and societal fascination with whales, received praise.[4][5] Jonathan Mirsky, writing for Literary Review, called the book "tremendous".[6]
Hoare has written articles on whales, including one on the orca 'attacks' off the Iberian Peninsula in 2023.[10] He is special ambassador for Whale and Dolphin Conservation, visiting fellow at the Fine Arts Work Center, Provincetown, and lecturer at the Rhode Island School of Design, Providence.[11]
As a writer, Hoare has represented the British Council in Berlin, Guadalajara, and Moscow.[12][13][14]
The Whale: In Search Of The Giants Of The Sea (2010)
The Sea Inside (2013)
RisingTideFallingStar (2017)
Albert and the Whale: Albrecht Dürer and How Art Imagines Our World (2021)[a]
He has also edited The Sayings of Noël Coward (1997).
Hoare has co-authored or contributed to the following publications:
Essay on the evolution of class in the UK in a British Council pamphlet, Posh: The Evolution of the Traditional British Brand (ed. Sorrel Hershberg, 1999).
An essay in Linder: Works 1976–2006 (2006), a collection about Linder Sterling.
Gabriel Orozco (2006), exhibition catalogue and texts, with Mark Godfrey.
Greetings from Darktown : an illustrator's miscellany, a collection of the work of Jonny Hannah, with texts by Hoare, Sheena Calvert and Peter Chrisp (2014).
Foreword to As is the sea (2014), writing by students from the Royal College of Art (ed. Jessie Bond).
Another Green World – Linn Botanic Gardens: Encounters with a Scottish Arcadia (2015), photographs by Alison Turnbull, text by Hoare.