Together with Mircea Vulcănescu and Alexandru Christian Tell, he started the Criterion association and magazine in 1934.[3] Before the Second World War, he published in several Romanian newspapers, for example Adevărul, Adevărul literar și artistic, Azi, Stânga, Arta, Excelsior, Da și nu, Ulisse and was an editor at Vremea (1931–1936), Rampa (1933–1934), Revista Fundațiilor Regale (from its foundation to 1943). Between 1944 and 1949 he published in Bis, Agora, Timpul, Arcades, Națiunea, and Universul.
Between 1949 and 1960, he was not allowed to publish under his own name, due to political reasons.[2] The only exceptions were monographies about painters or sculptors: Octav Băncilă (1954), Abgar Baltazar (1956), Viața și opera lui Rembrandt van Rijn ("The Life And Work of Rembrandt") (1957), Nicolae Grigorescu (1959), Ștefan Luchian (1960). Later, he would also write about other well-known Romanian visual artists, such as Gheorghe Petrașcu, Theodor Pallady, Nicolae Tonitza, Francisc Șirato, Ion Țuculescu, sometimes even in English The Romanian and the Universal in Brâncuși's Work (1970).
Trying to avoid being marginalized, he compromised with the Communist authorities, such as by joining the Romanian Workers' Party (Partidul Muncitoresc Român), later called the Romanian Communist Party (Partidul Comunist Român). In 2014 Comarnescu was found to have been an informant for the Securitate.[4]
Comarnescu was married to Gina Manolescu-Strunga, the daughter of a liberal politician, but she had been in love with N. D. Cocea, a well-known writer and journalist, from the age of 17 (and by whom she would become pregnant after her marriage).[6][7] They divorced two years later.[6] Comarnescu was also a homosexual.[8][9]
Member of the Romanian Writers' Association (Societatea Scriitorilor Români)(1945), and later of The Romanian Writers' Union (Uniunea Scriitorilor din R.S.R).
Member of the Fine Arts Association of Romania (U.A.P.), Critics section. After facing opposition by some of the members he was finally accepted, being supported by Alexandru Rosetti, Tudor Vianu, Ion Frunzetti and Vlaicu Bârna.[5]
Awards and prizes
Meritul Cultural clasa I (1946)
Meritul Cultural în rang de Cavaler, clasa a II-a (1947)
Ordinul Cultural în rang de Cavaler, clasa a II-a (1968)
The Fine Arts Association of Romania's Criticism Prize (1965)
Gold Medal of the International Association of Art Critics (AICA), on the occasion of the 16th congress held in Rimini, Italy.
Selected works
Homo Americanus (1933)
Zgârie-norii New York-ului (1933)
America văzută de un tânăr de azi (1934)
Răspântii- forme de viață culturală (1936)
Artă și imagine (1939)
Soluțiile artei în cultura modernă (1943)
Giordano Bruno (1947)
Chipurile și priveliștile Americii (1940)
America. Lume nouă, viață nouă (1947)
Chipurile și priveliștile Europei (posthumously) (1980)
Pagini de Jurnal, Editura Noul Orfeu, Bucharest, 2003
Books about him
Monica Ștefan (Grosu), Petru Comarnescu – un neliniștit în secolul său (PhD thesis, published as a monography).
References
Al. Piru, Istoria Literaturii Române, Ed. Grai și suflet-Cultura națională, Bucharest, 1994