Patricia Titchener (March 17, 1950 – April 9, 2024), known by her stage name Patti Astor, was an American performer who was a key actress in New York City underground No Wave films of the late-1970s. Astor was a key player in the East Village art scene of the early-1980s as she co-founded the instrumental contemporary art gallery, Fun Gallery.[2] Astor also was involved in the early popularizing of hip hop with her performance in Wild Style.
In 1978, she married Steven Kramer, an artist and a keyboardist for the Contortions.[3]
Actress
Astor had studied acting at the Lee Strasberg Institute. A queen of the downtown scene, she appeared in over a dozen experimental and low-budget No Wave films. Her entry into this genre was Amos Poe's underground Unmade Beds (1976), a black and white 16 mm remake of Godard's Breathless which she acted in alongside filmmaker Eric Mitchell, Blondie singer Debbie Harry, and artist Duncan Hannah. She also appeared in such low-budget and low-audience films as Rome '78, The Long Island Four, and Snakewoman.[4] Perhaps the best remembered of these was Eric Mitchell's Underground U.S.A (1980), in which she starred in alongside poet Rene Ricard. Her best known role was as Virginia, the roving reporter, in Charlie Ahearn's legendary hip-hop epic, Wild Style. Virginia in Wild Style is a blonde bombshell who encounters the rap and graffiti culture uptown, and introduces it to the downtown art world; a role Patti went on to perform in real life with Fun Gallery.[5]
Astor went on to co-found the Fun Gallery in 1981 with partner Bill Stelling.[2][5][6] This tenement storefront gallery, was the first of the 1980s East Village galleries, and specialized in showing graffiti artists, like Fab 5 Freddy, Lee Quiñones, Zephyr, Dondi, Lady Pink, and Futura 2000. It also gave important shows to Kenny Scharf (in 1981), Jean-Michel Basquiat (November 1982),[7] and Keith Haring (February, 1983),[8] artists with a street background who showed elsewhere. For a while the mix of worlds was unique, with the FUN crew of downtown artists and hipsters, beat-boys, rock, movie and rap stars mixing with both neighborhood kids and the official art world: museum directors, art historians and uptown art collectors. The gallery closed in 1985, by which time many other East Village galleries had opened, the interest in graffiti painters in the art world had subsided, and rents in the East Village were rising.
“The True Story of Patti Astor” in Johnny Walker, Janette Beckman, Patti Astor, Peter Beste, No Sleep 'til Brooklyn Perseus Distribution Services. ISBN1-57687-357-9.
Dan Cameron, Liza Kirwin, Alan W. Moore, Penny Arcade, Patti Astor. East Village USA New Museum of Contemporary Art, 0915557886.
^Tschinkel, Paul (producer). Jean-Michel Basquiat: an Interview, (interviewer Marc Miller), video tape, ART / New York No. 30A, 1998. Distributed Inner Tube Films, NY.
^Gruen, John, Keith Haring: The Authorized Biography, New York: Prentice Hall, 1991.