Chigumadzi draws on the history of Zimbabwe in her work, by exploring national and personal histories and identities. Her first novel, Sweet Medicine, was published in 2015, winning the K Sello Duiker Memorial Literary Award.[10] Her 2017 narrative essay These Bones Will Rise Again drew on Shona perspectives to explore the concept of the "Mothers of the Nation" and interrogating perceptions of Nehanda Charwe Nyakasikana in Zimbabwe.[1]
While studying and writing on the legacies of Zimbabwe's struggle for independence, Chigumadzi also writes about modern identities for southern Africans. She has written on the complexities of identity dismantling the notion of a colourblind, post-Apartheid South Africa, through a reclamation of the term "coconut".[11] She is outspoken about the need for decolonisation at national and at personal levels.[12] Her 2019 essay "Why I'm No Longer Talking to Nigerians About Race" discussed her experience at the Aké Arts and Book Festival on a panel discussing whether Black Lives Matter has relevance in Africa. Chigumadzi argued that, yes, in a continent with such different experiences of racialisation under colonialism, it did.[13]
In late‑2021, Chigumadzi wrote on the concept of the Ubuntu philosophy for The Guardian and how restoration is a necessary part of reconciliation in post‑colonial societies such as South Africa.[17] Indeed:
In other words, despite the flourishing of Ubuntu in post-apartheid discourse, lending its name to software, businesses, books and philanthropic organisations, South Africa is a country in which we have, as Dladla argues, Ubuntu without Abantu.[18] Just as Black people have been dispossessed of their land, Ubuntu has been dispossessed of its deeply radical demands for ethical historical and social relations among people.[17]
Writings
Books
Sweet Medicine (Blackbird Books, 2015) – a novel exploring the 2008 economic crisis in Zimbabw [19]
These Bones Will Rise Again (Indigo Books, 2017) – a mixture of memoir and historical essay exploring nation-building in Zimbabwe [20][21]
Beautiful Hair for Landless People (forthcoming) [22]
Chigumadzi's work has been studied widely, particularly within post-colonial studies. Her writing on the use of charms in Sweet Medicine led to further studies on healthcare and traditional practices in Zimbabwe.[25] Her focus on strong female characters living in economic precarity has been explored in terms of their religious beliefs and the reflection they may give to contemporary life.[26]
^
Chigumadzi, Panashe (25 October 2018). These Bones Will Rise Again. London, United Kingdom: The Indigo Press. ISBN978-1-9996833-0-6. Paperback edition.
^Stobie, Cheryl (3 July 2018). "Charms, Blessings and Compromises: Black Women's Bodies and Decolonization in Panashe Chigumadzi's Sweet Medicine". English Academy Review. 35 (2): 37–53. doi:10.1080/10131752.2018.1523983. ISSN1013-1752.
^Ndlovu, Isaac (2 July 2016). "Politically induced economic precarity, syncretism and female representations in Chigumadzi's Sweet Medicine". Agenda. 30 (3): 96–103. doi:10.1080/10130950.2016.1251227. ISSN1013-0950.