Pablo Ziegler (born September 2, 1944) is a Grammy Awards winning Argentine composer, pianist, arranger based in New York City.[1] He is an exponent of nuevo tango, and has worked extensively as Ástor Piazzolla's regular pianist from 1978 until Piazzolla's retirement for health reasons in 1989. During their collaboration, they performed with Milva, Placido Domingo, Gary Burton among others. He played with Piazzolla's re-formed Conjunto 9 in 1983 for his Teatro Colón concert with the Buenos Aires Philharmonic. In 1985 Ziegler composed the music for the film Adios Roberto, and in 1990, he established the New Tango Quartet.[2]
His playing style, both sharply percussive and metallically lyrical, bears some similarities to that of Vladimir Horowitz as well as some of the wistfulness of Bill Evans. As a composer he has taken Piazzolla's contrapuntal approach to tango music and added more jazz influence, notably with the regular use of a drum kit, lighter harmonies similar to those used in bossa nova, and extended passages of improvisation. His 2003 album Bajo Cero received a Latin Grammy award.[3]
Ziegler’s 2013 recording, the Latin Grammy-nominated Amsterdam Meets New Tango (Zoho Music 2013), saw his quartet paired with the Netherlands’ Metropole Orkest, playing his most famous works arranged for jazz orchestra. His work as music director, arranger and pianist for bass-baritone opera star Erwin Schrott received an Echo Klassik Award in 2011 for the album Rojotango.[citation needed] Ziegler’s 2003 release, Bajo Cero, won the Latin Grammy Award for Best Tango Album,[citation needed] and in 2008, his album Buenos Aires Report made the final list of nominees for the same award.[citation needed] Other major recordings include 1998’s Tango Romance with the Orpheus Chamber Orchestra and 1996’s Los Tangueros with Emanual Ax.[citation needed]
