Joachim was born in Düsseldorf, Joachim to Jewish parents. His father was an opera singer. He trained as a violinist at Düsseldorf and at the Rheinische Musikschule in Cologne.
Career
In 1934 Joachim left Nazi Germany (as did many Jewish composers of his time). He played in Singapore and Shanghai during the war years, opened a radio shop, and experimented with electronic instruments and accessories.[2] He also performed occasionally in the Shanghai Municipal Symphony Orchestra and organized an orchestra to perform Jewish and other Western music.[3]
Joachim left Shanghai at the time of the Communist takeover of China, and settled permanently in Montreal in 1949. For the next 15 years Joachim worked as a player, teacher, instrument builder and composer.[4] He played in the Montreal Symphony Orchestra, and beginning in 1956 taught violin and viola at both the McGill Conservatory and at the Conservatoire de musique du Québec à Montréal.[5]
In the 1950s Joachim experimented with twelve-tone music, and in 1956 composed String Quartet, an instrumental piece which combined twelve tone music with more traditional classical techniques.[6] In 1958 he founded the Montreal Consort of Ancient Instruments, and directed it for ten years.[7]
Since the 1960s he has concentrated on his compositions which are a mix of aleatoric and electroacoustic works. He composed a multi-channel electroacoustic work for the Canadian Pavilion, Katimavik at Expo 67 in Montreal. It was in the late-1970s that Joachim took up painting and sculpture. In 1994, he received an honorary doctorate from Concordia University, Montreal. The multi-channel electroacoustic studio in the Department of Music at Concordia University is named "The Otto Joachim Project Studio", where one of his paintings hangs.
