The house was built in 1905 on a design by Carl Moritz as the Stadttheater Barmen ("Barmen Municipal Theatre"). It was partially rebuilt after being severely damaged during World War II and again restored over the period 2006–2009. The theatre is located in the center of Wuppertal-Barmen, served by the Wuppertal Suspension Railway and Wuppertal-Barmen station.
History
The original building was the Stadttheater Barmen ("Barmen Municipal Theatre"), an all-purpose theatre for opera and plays built in 1905[1] before Barmen was merged into Wuppertal. It was designed by the architect Carl Moritz in a style drawing on neo-Baroque and Jugendstil. It was completed in 1907.[2] The theatre was severely damaged during a World War II air raid on the night of 30 May 1943, which destroyed the hall completely and also damaged the stage area.[3] It was rebuilt from 1954 to 1956, but with restricted Jugendstil elements which the leader of the project termed "schwerverdauliche Formensprache" (a language of forms hard to digest).[2] The house reopened on 14 October 1956, one of the first war-damaged theatres in Germany to resume operations, with a gala performance of Paul Hindemith's Mathis der Maler.[2]
The theatre was extended in the 1970s and renovated from 2006[4] to 2009.[2] Since 1989, the building has been protected as an architectural monument.[5]
The Opernhaus Wuppertal is known for revivals of operas that are not part of the standard repertoire, or have not been for a very long time. Monteverdi's Il ritorno d'Ulisse in patria was performed in 1959 in a version by Ernst Krenek.[9] E. T. A. Hoffmann's Undine was revived in 1970.[10] In 1981 Meyer-Oertel staged Wagner early Die Feen,[11] and in 1994 Schubert's Fierrabras, conducted by Peter Gülke. In the 21st century, Haydn's L'incontro improvviso was performed in a German translation under the title Unverhofft in Kairo on 8 January 2011,[12] and Wolfgang Fortner's Bluthochzeit was revived in 2013.[13]
Affiliated performers
Fritz Lehmann was Generalmusikdirektor (GMD) from 1938 to 1947,[14]János Kulka from 1964 to 1975,[15]Hanns-Martin Schneidt from 1975 to 1985. Peter Gülke from 1986 to 1996, and George Hanson from 1998 to 2004.[16]Julia Jones was Generalmusikdirektorin of the company from 2016 to 2021,[17] the first female conductor ever to be GMD of the company. In July 2020, the company announced the appointment of Patrick Hahn as its next GMD, effective with the 2021–2022 season.[18] In December 2022, the company announced the extension of Hahn's initial 3-year contract for an additional two years, through the 2025–2026 season.[19]
The opera house is the home base for the dance company Tanztheater Wuppertal, founded by Pina Bausch.[24] Performances have included 1975's Frühlingsopfer (The Rite of Spring) on a stage covered with soil, a production which has been revived many times; Café Müller, 1978, in which "dancers stumble around the stage crashing into tables and chairs"; Kontakthof, 1978, performed by an ensemble aged between 58 and 77; and 2005's Nelken.[25]
^"Gormenghast". Online Musik Magazin (in German). Retrieved 10 July 2013.
^Rosand, Ellen (2007). Macy, Laura (ed.). "Ritorno d'Ulisse in patria". oxfordmusiconline.com. Archived from the original on 1 June 2013. Retrieved 7 February 2010.
Kurt Hackenberg, Walter Schwaegermann (Hrsg.): Vom Theater in Wuppertal. Born Verlag, Wuppertal o.J. (kurz nach der Wiedereröffnung des Barmer Opernhauses)
Siegfried Becker: Theater in Wuppertal. 50 Jahre Rückblick. Wuppertal o.J. (ca. 1995).
Joachim Dorfmüller: Wuppertaler Musikgeschichte. Born Verlag, Wuppertal 1995, ISBN3-87093-074-8.
Michael Okroy: „… damit die Träume atmen können“ – Vom Stadttheater Barmen zum Opernhaus Wuppertal. Born Verlag, Wuppertal 2009, ISBN978-3-87093-095-0.