Olly Woodrow Wilson, Jr. (September 7, 1937 – March 12, 2018) was an American composer of contemporary classical music, pianist, double bassist, and a musicologist. He was one of the most preeminent composers of African American descent in the twentieth and twenty-first centuries. He is known for developing a list of Heterogenous Sound Ideals that is widely used to dissect different aspects of music, with an emphasis on African culture. According to Wilson himself, "The essence of Africanness consists of a way of doing something, not simply something that is done" (1991). This motto is the basis of Wilson's work in the realm of ethnomusicology. He is also known for establishing the TIMARA (Technology in Music and Related Arts) program at Oberlin Conservatory, the first-ever conservatory program in electronic music.[1]
Biography
Wilson was born in St. Louis, Missouri, to Alma Grace Peoples Wilson, a seamstress, and Olly Woodrow Wilson, Sr., an insurance salesman and butler. He graduated with a B.M. degree from Washington University in St. Louis in 1959, and earned an M.M. degree in music composition in 1960 from the University of Illinois. His composition instructors included Robert Wykes and Philip Bezanson. He earned a Ph.D. from the University of Iowa in 1964.[2]
He was commissioned by the Chicago Symphony Orchestra, the Boston Symphony and New York Philharmonic. He was commissioned by the 1979 International Contemporary Organ Music Festival at the Hartt School of Music for his organ work Expansions, which was premiered at the festival by Donald Sutherland.[3]
Wilson died March 12, 2018, in Berkeley, California at the age of 80.[4][5]
Heterogeneous sound ideals
Olly Wilson contributed to the study of African and American music by defining heterogeneous sound ideals that involve common themes in traditional African music: such as use of aspects of sound (pitch, duration, timbre and volume), usage of physical body movement in music making, and introspection of listeners. [6] His heterogenous sound ideals are still used today to help identify different aspects of sounds in music.
^Wright, Josephine R. B. (Fall 2018). "In Remembrance: Olly Wilson: Society for American Music Bulletin". Society for American Music Bulletin. 44 (3): 34–36.