Michael G. Nastos, writing for allmusic, awarded the album 4½ stars, calling the quartet simply "A great group".[2] In the All Music Guide to Jazz, Nastos described the album as "fully realized. Quintessential. Modern jazz supreme…."[4]
Writing for SF Jazz, Rusty Aceves declared: "With its tight ensemble playing and approach that balanced free blowing with a pervading Asia-influenced exoticism, the album was a triumphant success."[5] Regarding the album's opener, Ethan Iverson commented: "When the blowing starts, it's burning up-tempo swing. Blackwell's references include Max Roach and New Orleans parade drumming; Haden is informed by hillbilly music, J.S. Bach, and Wilbur Ware. Cherry plays heraldic lines that are clearly in a key alongside expanses of fast flurries that defy harmonic description. Redman plays more in tempo, either Sonny Rollins-style motivic development or pure abstraction. Both soloists like to quote the melody. In this open context, the horn players are free to play collectively and the bass and drums can abruptly change mood." He concluded: "1977 may not be considered a year stocked with jazz masterpieces, but this LP certainly qualifies."[6]