Schumann in 1839, one year after composing the Novelletten
The Novelletten, Op. 21, is a set of eight pieces for solo piano, written by Robert Schumann in 1838.[1] This composition is dedicated to Adolf von Henselt.
Background
The Novelletten were composed during February 1838, a period of great struggle for the composer.[2] Schumann originally intended the eight pieces to be performed together as a group, though they are often performed separately.
This set of pieces is an excellent example of Schumann's keyboard style.[1]
Analysis
No. 1 in F major
Markiert und kräftig (Marked and strong) Marcato e con forza
This piece contains seven sections, alternating between a staccatomarch and flowing legato passages. The piece is a modified Rondo form.
No. 2 in D major
Äußerst rasch und mit Bravour (Extremely fast and with bravura) Prestissimo, arditamente
This virtuosic piece is graceful and effective. An Intermezzo section in the middle contrasts and varies the piece.
No. 3 in D major
Leicht und mit Humor (Light and with humor) Leggero, con umore
This piece displays the composer's sense of humour through the use of rapid staccato chords. An Intermezzo section in the middle of the piece is used to contrast.
No. 4 in D major
Ballmässig. Sehr munter (Ball-like. Very lively) In tempo di ballo, lietamente
This piece is quite loosely organized in terms of structure; it is an interesting waltz that uses cross-rhythms and syncopation effectively.
No. 5 in D major
Rauschend und festlich (Glittering and festive) Con slancio festosamente
This piece is in the form of a polonaise; its principal section contains three main ideas which are then overcome by the persistent rhythms of the Trio section.
No. 6 in A major
Sehr lebhaft, mit vielem Humor (Very lively, with much humor) Vivace e spiritoso assai
This piece uses an increasing tempo to characterize the progression of sections. Starting from the staccato opening, each of the following passages are marked a few metronome beats faster until the coda, which returns to the original tempo.
No. 7 in E major
Äusserst rasch (Extremely fast) Prestissimo
This piece features a beautiful and lyrical middle section; it also features many virtuosic passages containing fast, brilliant octaves.
No. 8 in F♯ minor
Sehr lebhaft (Very lively) Assai vivace
The concluding piece of the set is actually two pieces in one. The first part is a passionate étude in 2/4, the second has the nature of a march.[1] It ends in D major, the principal key of the cycle.
