Norman Honore Hackett (September 7, 1874 – February 12, 1958) was a prominent Canadian-born American stage actor of the early 1900s.[1] He was particularly noted for his Shakespearean roles. After he retired as an actor, he went on to a distinguished career at the Theta Delta Chi fraternity.
Early life
He was born in Amherstburg, Ontario, Canada. His father was Thomas Hackett, a Master Pilot on the Great Lakes.[2] His mother, Christiana Honner, was also born in Amherstburg.[3] Young Norman and his family emigrated to Detroit, Michigan, in 1882.[4] He attended the University of Michigan in 1894,[5] where he studied literature, especially the Elizabethan period and Shakespeare, languages and oratory, with the intent of becoming a theater critic.[6] He was one of the founders of the Michigan Comedy Club at the University.[6][7]
Hackett believed that classic training was the best foundation for an actor, and he took up more modern drama for its popularity.[6] A notable starring performance was in Satan Saunderson,[14] produced by Stair and Nicolai at the American Theatre (St. Louis; 1911) directed by Jessie Bonstelle.[15]
Other roles he appeared in included:
Alexander the Great (under the management of Wagenhals and Kemper);[16]Double Deceiver (1913);[17]The Knife by Edward Sheldon (c. 1917);[5]Classmates, by William C. DeMille;[6][18]Enter Madam;[19]Beau Brummel; and Little Shan Toy.
He also appeared in the film The Crimson Dove (1917).[20]
In 1927, his theatrical company was caught up in the Great Mississippi Flood of that year.[21] His last theatrical performance was in The Constant Wife with Charlotte Walker and Lou Tellegen, presented at the Lyceum Theater in Rochester NY.[9]
Acting philosophy
In an address to the Rochester Community Players on September 25, 1941, at the Sagamore Hotel, Hackett expounded on his theory of acting. He stated that Mrs. Fiske (first cousin to Robert Stevens, the managing director of the Community Players) was the pioneer of the 'ultra modern' school of acting, which considered taboo anything that "savors of exaggeration in voice or action. This striving toward naturalism has created a tendency in the profession to underplay. Motion pictures, a repressed art, have contributed to this tendency, for in them there must be no jerky movements, no grand gestures."
He went on to say "I agree that the natural school of acting is the better school, but not at the loss of getting your lines across. That's the important thing, and all the 'drawing room manner' you can command on the stage is ineffective if the audience cannot hear those cultured voices or understand those gentle gestures."[22]
Later years
Following his acting career, Hackett served as National Secretary of the Theta Delta ChiFraternity.[9] He is the author of the Pledge Manual of Theta Delta Chi. He has been described as 'Mr. Theta Delta Chi' and quoted as saying "Loyalty to a cause is what keeps life fine, and loyalty to your fraternity must be lived."[23] The Theta Delta Chi Educational Foundation supports the "Norman Hackett (Gamma Deuteron 1898) Memorial Leadership Conference Center" at the Theta Delta Chi Central Fraternity Office in Boston, Massachusetts.
Norman Hackett died February 2, 1959, in Detroit from a coronary occlusion.[1]
Publications written by Norman Hackett
Come My Boys: Memoirs Of Thirty-Four Years On The American Stage And A Lifetime In Theta Delta Chi (Hackett Memorial Publication Fund, 1960)
The Pledge Manual of Theta Delta Chi (George Banta Publishing Co, 75th Grand Lodge;1952)
^The Shield; Official Publication of the Theta Delta Chi Fraternity, Vol. 11, pg. 327
^ abc"Hackett to Open Play Drive"; newspaper clipping dated Sept. 24, 1941, located in the 1941–1944 Scrapbook of the Rochester Community Players, on deposit with the Local History Department of the Rochester, NY Public Library
^The Shield, published by Theta Delta Chi, Vol. 16, No. 1, pg. 81
^"Norman Hackett Lectures Today on 'Shakespeare and his Haunts'", Cornell Daily Sun, Cornell University, April 19, 1907; similar lecture, Feb. 10, 1908, at the University of Michigan: Michigan alumnus, Volume 14, pg. 208
^New York Times, "Byrd Urges Flood Aid at Good-Will Meeting", May 19, 1927
^As quoted in a newspaper article of the Rochester Times-Union, dated September 26, 1941, located in the 1941–1944 Scrapbook of the Rochester Community Players, on deposit with the Local History Department of the Rochester, NY Public Library