Grimshaw was born in Hove, East Sussex 9 October 1939.[1] His father was an engineer, and his mother a portrait painter and he inherited an interest in engineering and art. One of his great-grandfathers was a civil engineer who built dams in Egypt, and another was a physician who campaigned for the installation of Dublin's drainage and sanitation system after showing a link between waterborne diseases and streams joining River Liffey. His father died when he was two and a half, and he grew up with his mother, grandmother who was also a portrait painter, and two sisters in Guildford. He displayed an early interest in construction; his boyhood interests included Meccano, building tree houses and boats.[3]
He worked with Farrell for 15 years before establishing his own firm, Nicholas Grimshaw & Partners, in 1980. In 1989, he won a Royal Institute of British Architects national award for his design of the Financial Times printworks in East London. After designing Britain's pavilion for the Seville Expo in 1992, he was appointed a CBE in 1993, and the following year saw his Waterloo railway terminal awarded the accolade of 'Building of the Year'. That same year (1994) also saw him elected a vice-chairman of the Architectural Association, a member of the Royal Academy and a member of the American Institute of Architects.[citation needed]
Grimshaw's architecture practice continues to grow; it has a global profile, with offices in London, New York, Melbourne and Sydney. The work of Nicholas Grimshaw & Partners was the subject of a series of monographs published by Phaidon Press: Architecture, Industry and Innovation deals with the years 1965–1988; Structure Space and Skin covers 1988–1993; and Equilibrium looks at work up until 2000.[citation needed]
