She worked in both traditional and modern basket styles, and participated in the annual Indian Field Days competition in Yosemite in the 1920s. Her daughter, Daisy Mallory, became a prominent weaver.[2]
She was among a group of Paiute women who "became known for their exceedingly fine, visually stunning and complex polychrome baskets."[3] Others in this group included Lucy Telles and Carrie Bethel.
^Trainer, Laureen (2006). "Selected Artist Biographies". In Amy Scott (ed.). Yosemite: Art of an American Icon. Los Angeles and Berkeley: Autry National Center and University of California Press. pp. 196. ISBN9780520249226.