Nanna Bryndís Hilmarsdóttir (born 6 May 1989) is an Icelandic musician. She originally performed solo, under the name Songbird. She is the co-lead vocalist and guitarist of the Icelandic indie folk band Of Monsters and Men. In 2023, she released her debut solo album, titled How to Start a Garden.
Biography
Nanna was raised in Garður, a town in southwestern Iceland.[1] She attended music school as a child and prior to the formation of the group Of Monsters and Men, she had a solo musical project called Songbird. She wrote and performed music on open mic nights around Reykjavík and was a video store clerk.[2][3]
Of Monsters and Men
Following her Songbird phase, Nanna recruited five musicians who eventually became Of Monsters and Men in 2010.[3] After a week of working together, they won the annual music competition Músíktilraunir.[3]
They released their debut studio album, My Head Is an Animal, in late 2011. It charted in multiple regions, and the band gained popularity worldwide.[4] After the Seattle radio station KEXP broadcast a performance from Ragnar's living room, the band went viral.[1]My Head Is an Animal reached No. 1 in Australia, Iceland, and Ireland, as well as on U.S. rock and alternative charts. The band was tapped to write a song for the 2013 film The Hunger Games: Catching Fire, and their single "Dirty Paws" was used in The Secret Life of Walter Mitty (2013).[5] They went on to release the albums Beneath the Skin in 2015 and Fever Dream in 2019.
Solo work
On 13 January 2023,[6] she released the single "Godzilla" under the name Nanna, followed by a second single, "Crybaby", on 22 February,[7] and the announcement of a solo album entitled How to Start a Garden, which came out on 5 May 2023. On 5 April, she issued a third single, "Disaster Master".[8] Nanna wrote most of How to Start a Garden in a cabin outside Reykjavík. About the project, Riff Magazine stated, "she captures a magnificent soundscape—rich, warm and subtle—that feels solemn and full."[9]
In July 2023, Nanna performed at the Newport Folk Festival, a performance that according to Rhode Island Magazine "offered a more slowed-take on the dreamy Icelandic vibe."[10]