Nadine M. DeLawrence (July 8, 1953 – November 22, 1992) was an American visual artist and educator. She worked as a sculptor, installation artist, painter, and printmaker.[1] Her artwork was influenced by her interest in African religions and she created large scale installations out of sculptures made in aluminum and steel.[2] She also went by the married name Nadine DeLawrence Maine.[3]
Early life and education
Nadine M. DeLawrence was born on July 8, 1953, in Hartford, Connecticut, to African-American parents Ruth (née Atkins) DeLawrence and Joseph J. DeLawrence Jr..[2] In 1971, she graduated from Weaver High School in Hartford, Connecticut, where she was a merit scholar.[4] In high school she was part of Katarah, an African American cultural society.[5]
DeLawrence graduated from Rhode Island School of Design (RISD), and was part of the European honors program in 1974 to 1975.[2][6][7] In the March 8, 1974, student newspaper, RISD Press, DeLawrence wrote a letter to the university president about on-campus racism.[8]
Career
After graduation moved back to Hartford, Connecticut to work at SAND Art Studio as a director, before moving to New York City in 1981 to work at the Solomon R. Guggenheim Museum "Learning Through Art" education program for public school children.[5][9] While living in New York City, she continued her studies under in printmaking with Robert Blackburn at his Robert Blackburn Printmaking Workshop.[10] She was able to meet Bill Barrett while working at Robert Blackburn Printmaking Workshop, who gave her valuable critique of her sculpture work and helped her grow as an artist.[10] DeLawrence was influenced by African religions and African culture in her work.[2]
In 1982, DeLawrence married Richard "Dick" Maine, a business investor.[11][12]
^Four African American Women Artists at the French Embassy. Deborah Willis (curator), Deirdre Bibby (curator). Washington, D.C.: French Embassy. 1991.{{cite book}}: CS1 maint: others (link)