Arshi was educated at Lampton Comprehensive School and grew up in an Indian Sikh family from Punjab in Hounslow. She studied at Guildford College of Law and University College London and the London School of Economics (LSE), where she obtained a master's degree in human rights law in 2002. She trained as a solicitor in the civil liberties law firm JR Jones Solicitors. She then worked for several years as a litigator at the NGOLiberty acting on high-profile judicial review cases including Diane Pretty's "right to die" case,[4] asylum destitution cases and death in custody cases.[5]
Poetry
Arshi began writing poetry in 2008 and went on to study creative writing (Poetry) at the University of East Anglia (MA Creative Writing, 2010) gaining a distinction. While studying, she won the inaugural Magma poetry competition for her poem "Hummingbird" and was a winner in the Troubadour International Competition (2013) for her poem "Bad Day in the Office". Arshi was part of The Complete Works mentoring programme. In 2013, The Huffington Post named her one of "Five Poets to Watch".[6] In 2014, she was joint winner in the Manchester creative writing competition with a portfolio of five poems.
In 2017, BBC Radio 4 broadcast Arshi's commissioned poem "Odysseus, The Patron Saint of Foreigners?"[14] In 2018 she was asked to read at the First Stuart Hall Public Conversation.[15]
Arshi's second book, Dear Big Gods, was published in April 2019, also by Pavilion Poetry. The title poem and an essay, "On Gods, Human Rights and the Poet", were published in the US magazine POETRY[16] in 2019. In the essay, Arshi comments: "A poem is not a human rights instrument or the pleadings in a court case, nor should it seek to be but one activity that the human rights lawyer and poet share is the restless interrogation of language....Poetry needs to continue to strive to make space for itself and think the unthinkable, the unimaginable on the page." Andrew Motion praised Arshi's second book as "Beautifully direct, and delivered a kind of instantaneousness that I admired a lot. The diction very clean, too, and the forms involving in their twists and turns".[17]