"All Gone, All Gone" features back-up vocals by Sarah Jaffe.
It received "generally favorable reviews" according to review aggregator Metacritic, with an aggregate score of 75 as of 25 November 2009.[2] According to the Austin Chronicle reviewer, "this debut collaboration is a testament to just how deeply these two songwriters sympathize with each other's work, revealing a shared penchant for evocatively detailed images that blossom into visceral narratives."[3] The Pitchfork Media reviewer was less sanguine: "The 14 tracks on Molina and Johnson comprise an especially slow drive through somber countryside, windows up and speed limit carefully maintained."[4]