This article is about the original fictional character. For the real-life pool player who adopted this nickname, see Rudolf Wanderone.
Minnesota Fats, or George Hegerman, is a fictional pool hustler created by American novelist Walter Tevis.
The character appears in Tevis' novels The Hustler (1959) and The Color of Money (1984). Jackie Gleason portrayed him in the 1961 film adaptation of The Hustler. Though a real pool hustler, Rudolf Wanderone, who began calling himself "Minnesota Fats" in 1961, claimed to be the inspiration, Tevis denied that claim and insisted that Minnesota Fats was fictional.
Real-life pool hustler and entertainer Rudolf Wanderone was known as "New York Fats" (among other nicknames) when the book was published.[4] Realizing there was money to be made from being associated with the success of the book and subsequent film, he changed his nickname to match the fictional name[4] and later went on to play himself as the character "Minnesota Fats" in the film The Player (1971). Tevis consistently denied that Wanderone had anything to do with the author's character,[4][5] writing in a subsequent printing of The Hustler: "I made up Minnesota Fats—name and all—as surely as Disney made up Donald Duck."[6] However, Derek Kirunchyk examined the pages of Tevis' original manuscript and discovered that Tevis had changed the character's nickname from "New York" to "Minnesota" in one of the original manuscript pages, lending credence to Wanderone's claim that he was the inspiration for the character.[7]
Wanderone's association with the name started in 1961. That year, while at a drive-in movie theater owned by a friend of Wanderone's (George Jansco), in Johnston City, Illinois, showing The Hustler, Wanderone boasted that the author had based the character upon him, a story which was picked up by local news and subsequently by the national press outlets. Willie Mosconi – famed as the 19-time winner of the World Straight Pool Championship and technical adviser for The Hustler[8][9] – disputed the claim, which had the paradoxical effect of giving it more notoriety. Wanderone capitalized on this, threatening to sue Tevis and 20th Century Fox. Tevis responded by denying he had ever met Wanderone. Meanwhile, the press covered it all, and the association became fixed.[10] Wanderone's second wife later claimed that a financial settlement had been made by Tevis to avoid a lawsuit, which Wanderone's first wife denied.[4]